Ars Adriatica, No. 4, 2014.
Pregledni rad
In Search of the Historic, Cultural and Artistic Identity of the Schiavoni Artists: Vignettes from the History of Their Reception in the Sixteenth and Seventeenth Centuries
Ivana Prijatelj Pavičić
orcid.org/0000-0003-4379-3074
; Odsjek za povijest umjetnosti, Filozofski fakultet Sveučilišta u Splitu
Sažetak
The author of the paper demonstrates how sixteenth- and seventeenth-century historiography applied a number of identity stereotypes which were linked to the Slavs, Dalmatians, Illyrians, Morlachs, and Croats in contemporary literature and scholarship to three well-known Schiavoni artists: Andrea Meldola (Andrija Medulić), Niccoló dell’Arca and Giulio Clovio (Julije Klović). For example, the qualifier ‘barbaric’, used to denote the work of Niccoló dell’Arca in sixteenth-century historiography from Bologna, represents one of the stereotypical characteristics about the Schiavoni which were frequent at the time.
The first part of the article focuses on sixteenth-century interpretations of the Croatian and Macedonian identity (origin) of the famous painter of miniatures, Giulio Clovio (Julije Klović) in the works of his contemporaries such as Giorgio Vasari and Francisco de Holanda, followed by those in the nineteenth- and twentieth-century works of Ivan Kukuljević Sakcinski, Ivan Golub and Milan Pelc. Particular attention is given to the currently prevailing hypothesis that the Macedonian origin of Giulio Clovio (Julije Klović) might have been invented with the aim of testifying to his artistic and ancestral rootedness in the classical world.
The second part of the article deals with records about Andrea Meldola and Niccoló dell’Arca in the writings of Italian historiographers Girolamo Borselli, Cherubino Cherardacci, Carlo Ridolfi and Marco Boschini, all of whom tried to interpret specific stylistic features in the works of these two artists as a consequence of what one can call their genotype and phenotype. The author of the article draws particular attention to the appearance of the ideologeme concerning the barbaric character of Niccoló dell’Arca in the records of Girolamo Borselli (late fifteenth century) and Cherubino Cherardacci (sixteenth century).
Ključne riječi
Nicollo dell'Arca; Andrea Meldola; Giulio Clovio; identity stereotypes
Hrčak ID:
130746
URI
Datum izdavanja:
19.12.2014.
Posjeta: 2.092 *