hrcak mascot   Srce   HID

Filozofska istraživanja, Vol.36 No.4 Prosinac 2016.

Izvorni znanstveni članak
DOI: 10.21464/fi36412

Modalities of Pictorial Appearing: Basic Concepts

Krešimir Purgar ; Sveučilište u Zagrebu, Tekstilno-tehnološki fakultet, Prilaz baruna Filipovića 28a, HR–10000 Zagreb

Puni tekst: engleski, pdf (461 KB) str. 799-816 preuzimanja: 27* citiraj
Purgar, K. (2016). Modalities of Pictorial Appearing: Basic Concepts . Filozofska istraživanja, 36(4). doi:10.21464/fi36412
Puni tekst: hrvatski, pdf (461 KB) str. 799-816 preuzimanja: 34* citiraj
Purgar, K. (2016). Modaliteti slikovnog pojavljivanja: temeljni pojmovi. Filozofska istraživanja, 36(4). doi:10.21464/fi36412

The proliferation of digital technology requires from us to think about images in a new way. We should no longer refer to them only as Greek eikon, that is, reflection or representation, but as experiences, events and special kind of appearing. In contemporary digital culture pictorial appearing is the symptom of the most recent turn towards images, the one that is happening after the “original” pictorial turn that was described by W. J. T. Mitchell and Gottfried Boehm almost three decades ago as the epoch-making new kind of relationship between images and language. Today we witness a different kind of urgency: the one that will exemplify the relationship between analogue images and digital images, representations and post¬representations, reality and virtuality, semiotics and phenomenology. In this article I will propose a “transitional” theory of the image that takes into account the wide gap between objects and perceptions, that is, between eikon and pure sensuousness. To this end, I will introduce the four basic modalities of pictorial appearing: temporality, transparency, mediality and referentiality.

Ključne riječi
image ontology; pictorial appearing; Martin Seel; Dieter Mersch; temporality; transparency; mediality; referentiality

Hrčak ID: 180141



Posjeta: 128 *