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INSTITUTIONALIZATION OF THE SLOVENE VISUAL ART DURING THE 1900-1941P ERIOD

Ida Tomše


Puni tekst: engleski pdf 13.059 Kb

str. 181-184

preuzimanja: 283

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Sažetak

The Slovene nation entered the Eumpean history as
a»small nation«having previously constituted parf of the
»foreign «empire. In Slovenia, cu/ture had for centuries been
identified with art, u>hich actually represented its most
significanć and almost only secfion; under such historical
and social circumstances, the art oi >ergrew its fundamental
function and acquired certain ideological, i. e. political identification.
Thus, the art had to accomplish the comp/ex role
of national consciousness, politics, science, etc. In this paper,
an atte>npt is made to elucidate the establishment of our
institutions in the field of visual arts, thereby referring to
institutionalization in a broad sense, i. e. not only organization
of institutions but also of i >arious societies, programs,
exhibitions, some epoch-making publication, etc. A myth on
the national-liberation role of cu/ture, uhich appears to be
a specific feature of the Slovene cu/ture, also includes problems
related to the institutional level of v therefore having fortified national emancipation.

Ključne riječi

Hrčak ID:

153341

URI

https://hrcak.srce.hr/153341

Datum izdavanja:

15.12.1989.

Podaci na drugim jezicima: slovenski

Posjeta: 687 *