 |
 |
 |
Original scientific paper
The Lasting Musical Effects of the Italian Grand Tours Of Ignaz Maria Von Attems-Heiligenkreutz (1714-1762) and Thomas Gray (1716-1771)
Metoda Kokole
; Scientific Research Centre of the Slovenian Academy of Sciences and Arts, Institute of Musicology, Ljubljana, Slovenia
| Fulltext: english, pdf (485 KB) | pages 79-101 | cite | |
|
APA 6th Edition Kokole, M. (2016). The Lasting Musical Effects of the Italian Grand Tours Of Ignaz Maria Von Attems-Heiligenkreutz (1714-1762) and Thomas Gray (1716-1771). Arti musices, 47 (1-2), 79-101. Retrieved from https://hrcak.srce.hr/173157 MLA 8th Edition Kokole, Metoda. "The Lasting Musical Effects of the Italian Grand Tours Of Ignaz Maria Von Attems-Heiligenkreutz (1714-1762) and Thomas Gray (1716-1771)." Arti musices, vol. 47, no. 1-2, 2016, pp. 79-101. https://hrcak.srce.hr/173157. Accessed 5 Aug. 2020. Chicago 17th Edition Kokole, Metoda. "The Lasting Musical Effects of the Italian Grand Tours Of Ignaz Maria Von Attems-Heiligenkreutz (1714-1762) and Thomas Gray (1716-1771)." Arti musices 47, no. 1-2 (2016): 79-101. https://hrcak.srce.hr/173157 Harvard Kokole, M. (2016). 'The Lasting Musical Effects of the Italian Grand Tours Of Ignaz Maria Von Attems-Heiligenkreutz (1714-1762) and Thomas Gray (1716-1771)', Arti musices, 47(1-2), pp. 79-101. Available at: https://hrcak.srce.hr/173157 (Accessed 05 August 2020) Vancouver Kokole M. The Lasting Musical Effects of the Italian Grand Tours Of Ignaz Maria Von Attems-Heiligenkreutz (1714-1762) and Thomas Gray (1716-1771). Arti musices [Internet]. 2016 [cited 2020 August 05];47(1-2):79-101. Available from: https://hrcak.srce.hr/173157 IEEE M. Kokole, "The Lasting Musical Effects of the Italian Grand Tours Of Ignaz Maria Von Attems-Heiligenkreutz (1714-1762) and Thomas Gray (1716-1771)", Arti musices, vol.47, no. 1-2, pp. 79-101, 2016. [Online]. Available: https://hrcak.srce.hr/173157. [Accessed: 05 August 2020] |
|||
Abstracts
Italy was for the Grand Tourists of the eighteenth century the most frequently visited part of Europe. More musically oriented travellers reported also on music events and collected music sources for further private but also public use in their homelands. The musical interests of two lesser known Grand Tourists of the late 1730s, a Styrian aristocrat Ignaz von Attems and the English Pre-Romantic poet Thomas Gray, aligned in their operatic taste for they both collected some of the then most successful and popular arias. The combined information from the two music collections and personal lett ers of both travellers unveil some mysteries and fill some small lacunae in our knowledge of Italian eighteenth-century opera.
Keywords
cultural history; 18th century; Grand Tour; opera arias; Ignaz Maria von Attems; Thomas Gray
Hrčak ID: 173157
URI
https://hrcak.srce.hr/173157
My profile