APA 6th Edition Kokole, M. (2016). The Lasting Musical Effects of the Italian Grand Tours Of Ignaz Maria Von Attems-Heiligenkreutz (1714-1762) and Thomas Gray (1716-1771). Arti musices, 47 (1-2), 79-101. Retrieved from https://hrcak.srce.hr/173157
MLA 8th Edition Kokole, Metoda. "The Lasting Musical Effects of the Italian Grand Tours Of Ignaz Maria Von Attems-Heiligenkreutz (1714-1762) and Thomas Gray (1716-1771)." Arti musices, vol. 47, no. 1-2, 2016, pp. 79-101. https://hrcak.srce.hr/173157. Accessed 27 Jan. 2021.
Chicago 17th Edition Kokole, Metoda. "The Lasting Musical Effects of the Italian Grand Tours Of Ignaz Maria Von Attems-Heiligenkreutz (1714-1762) and Thomas Gray (1716-1771)." Arti musices 47, no. 1-2 (2016): 79-101. https://hrcak.srce.hr/173157
Harvard Kokole, M. (2016). 'The Lasting Musical Effects of the Italian Grand Tours Of Ignaz Maria Von Attems-Heiligenkreutz (1714-1762) and Thomas Gray (1716-1771)', Arti musices, 47(1-2), pp. 79-101. Available at: https://hrcak.srce.hr/173157 (Accessed 27 January 2021)
Vancouver Kokole M. The Lasting Musical Effects of the Italian Grand Tours Of Ignaz Maria Von Attems-Heiligenkreutz (1714-1762) and Thomas Gray (1716-1771). Arti musices [Internet]. 2016 [cited 2021 January 27];47(1-2):79-101. Available from: https://hrcak.srce.hr/173157
IEEE M. Kokole, "The Lasting Musical Effects of the Italian Grand Tours Of Ignaz Maria Von Attems-Heiligenkreutz (1714-1762) and Thomas Gray (1716-1771)", Arti musices, vol.47, no. 1-2, pp. 79-101, 2016. [Online]. Available: https://hrcak.srce.hr/173157. [Accessed: 27 January 2021]
Abstracts Italy was for the Grand Tourists of the eighteenth century the most frequently visited part of Europe. More musically oriented travellers reported also on music events and collected music sources for further private but also public use in their homelands. The musical interests of two lesser known Grand Tourists of the late 1730s, a Styrian aristocrat Ignaz von Attems and the English Pre-Romantic poet Thomas Gray, aligned in their operatic taste for they both collected some of the then most successful and popular arias. The combined information from the two music collections and personal lett ers of both travellers unveil some mysteries and fill some small lacunae in our knowledge of Italian eighteenth-century opera.