APA 6th Edition Pažur, B. (2009). POTICAJNA ULOGA ČASOPISA "KAJ" U OBNOVI I REAFIRMACIJI SUVREMENE, NOVOKAJKAVSKE KNJIŽEVNOSTI. Kaj, 42 (209) (3), 69-78. Preuzeto s https://hrcak.srce.hr/70432
MLA 8th Edition Pažur, Božica. "POTICAJNA ULOGA ČASOPISA "KAJ" U OBNOVI I REAFIRMACIJI SUVREMENE, NOVOKAJKAVSKE KNJIŽEVNOSTI." Kaj, vol. 42 (209), br. 3, 2009, str. 69-78. https://hrcak.srce.hr/70432. Citirano 17.02.2020.
Chicago 17th Edition Pažur, Božica. "POTICAJNA ULOGA ČASOPISA "KAJ" U OBNOVI I REAFIRMACIJI SUVREMENE, NOVOKAJKAVSKE KNJIŽEVNOSTI." Kaj 42 (209), br. 3 (2009): 69-78. https://hrcak.srce.hr/70432
Harvard Pažur, B. (2009). 'POTICAJNA ULOGA ČASOPISA "KAJ" U OBNOVI I REAFIRMACIJI SUVREMENE, NOVOKAJKAVSKE KNJIŽEVNOSTI', Kaj, 42 (209)(3), str. 69-78. Preuzeto s: https://hrcak.srce.hr/70432 (Datum pristupa: 17.02.2020.)
Vancouver Pažur B. POTICAJNA ULOGA ČASOPISA "KAJ" U OBNOVI I REAFIRMACIJI SUVREMENE, NOVOKAJKAVSKE KNJIŽEVNOSTI. Kaj [Internet]. 2009 [pristupljeno 17.02.2020.];42 (209)(3):69-78. Dostupno na: https://hrcak.srce.hr/70432
IEEE B. Pažur, "POTICAJNA ULOGA ČASOPISA "KAJ" U OBNOVI I REAFIRMACIJI SUVREMENE, NOVOKAJKAVSKE KNJIŽEVNOSTI", Kaj, vol.42 (209), br. 3, str. 69-78, 2009. [Online]. Dostupno na: https://hrcak.srce.hr/70432. [Citirano: 17.02.2020.]
In its forty years of magazine continuity the primary role of KAJ has been to witness the Kajkavian literature continuity – by mirroring the state of the spirit and language in our modernity. It is essential to stress this fact by taking into consideration the conceptual and literary/historical fact of KAJ's scientific and publicist dealing with the overall artistic, linguistic and cultural/historical background, and the identity of all Croatian Kajkavian areas: the many-layered semantic field of the interrogative/relative pronoun kaj, with all that makes the Kajkavian language what it is and from what it has originated from.
The literature’s starting point is emphasized in KAJ's subtitle determinant as a periodical for literature, art, culture in a hierarchical setting, therefore by dealing with matter by starting from the narrower and proceeding to the wider (this is evidenced by the initial position of the UDK number indicating: Croatian literature).
Since 1968 when it was started as a periodical for culture and education by Stjepan Draganić, respectable literature/history analysts and bibliographers singled out in KAJ thematic cycles of older and newer Kajkavian literature (along with the historical and artistic), as the foundation for its editing concept.
The period of Croatian/Kajkavian literature reestablishment of values/restoration, especially the contemporary Kajkavian poetry movement – coincides exactly with the time when periodical KAJ was established.
We can follow up with the continuity of Kajkavian language style in the KAJ periodical in its primary and secondary corpus of written texts; from various genre realization of artistic Kajkavian-based literature (poetry/children's poetry; prose texts: novel fragments, novellas, short stories, short prose, essays, itineraries; plays; sketches, notes, anecdotes; linguistic and historical documents) to the secondary written texts corpus of literary and linguistic papers, studies and articles on the said topic.
On the track of Stjepan Draganić's affirmative concept in respect to Kajkavian literature artistic quality (from thematic issues, panoramas, complexes, anthologies) – KAJ continues and diversifies this well set system into sections.
Wishing to re-establish the Kajkavian continuity of literary genres from a contemporary point of view, KAJ has made it an additional and now traditional task since 2000 onwards to invite writers to participate in writing short prose in Kajkavian, pupils of secondary schools in the Republic of Croatia to write literary works in Kajkavian, and there is also a competition for the best Croatian travel writing (extending this third competition as to the literary language choice also to Čakavian and Štokavian).