APA 6th Edition Trojan, I. (2010). Drama u tranziciji – bijeg od budućnosti. Dani Hvarskoga kazališta, 36 (1), 368-381. Preuzeto s https://hrcak.srce.hr/72804
MLA 8th Edition Trojan, Ivan. "Drama u tranziciji – bijeg od budućnosti." Dani Hvarskoga kazališta, vol. 36, br. 1, 2010, str. 368-381. https://hrcak.srce.hr/72804. Citirano 21.06.2021.
Chicago 17th Edition Trojan, Ivan. "Drama u tranziciji – bijeg od budućnosti." Dani Hvarskoga kazališta 36, br. 1 (2010): 368-381. https://hrcak.srce.hr/72804
Harvard Trojan, I. (2010). 'Drama u tranziciji – bijeg od budućnosti', Dani Hvarskoga kazališta, 36(1), str. 368-381. Preuzeto s: https://hrcak.srce.hr/72804 (Datum pristupa: 21.06.2021.)
Vancouver Trojan I. Drama u tranziciji – bijeg od budućnosti. Dani Hvarskoga kazališta [Internet]. 2010 [pristupljeno 21.06.2021.];36(1):368-381. Dostupno na: https://hrcak.srce.hr/72804
IEEE I. Trojan, "Drama u tranziciji – bijeg od budućnosti", Dani Hvarskoga kazališta, vol.36, br. 1, str. 368-381, 2010. [Online]. Dostupno na: https://hrcak.srce.hr/72804. [Citirano: 21.06.2021.]
Sažetak In the paper is analyzing the play of Davor Špišić South 2 from the year 2001. The play which is the closest to the european phenomenon of partially taking over the violent british trend In yer face theatre in a drama from the beginning of the millennium. We have proven, from one side, how one brutal lore of drama and her reformed descendants find their effect in socially corrupted enviroments, and from the other, that, due to similary, beyonde literature cause, stylistic intervention, in previously mentioned plays, are identical as the one used by gerhart Hauptmann in his plays over a century ago. in all three cases, we have been inhibited, by the writers, to hell of unhuman circumstances where are conditions of life ably prevailed and reality is transcended by rising in to the ulterior. Plays are trying to be perfect copy of reality which they, in her representative segment, present in intensive totality. And their funcion is to make visible social casuality, even those who transcend the personal and interhuman, and that reality is being critisized as it is. Hopelessly, cycled hypocritical, violent and excruciatingly – unabled of condesending of future, and with basic intention of causing sympathy.