Art bulletin, No. 62, 2012.
Esej
Transformation through the Negation of Negation: Zlatko Keser
Tonko Maroević
Sažetak
The actual “black phase” of Keser’s expression is not unique in his opus, although it is perhaps the apogee, the peak of the demands of existential directedness, the necessity of a characteristic reduction to the vital. Using exclusively graphite and other sources of blackness, the painter articulates his scenes in various ways; at the very brink of deafness and nonexpressiveness, he created his own manner of dance around emptiness, emphasizing the dialectics of diving into nothingness and rising to the surface of the magma of nonexistence.
Ključne riječi
Zlatko Keser; painter; black phase
Hrčak ID:
99225
URI
Datum izdavanja:
5.2.2013.
Posjeta: 1.201 *