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Influence of the Dubrovnik classicism on the epic Poem Ljepos duše (Pulchritude of the soul) by Ivan Dražić

Dunja Fališevac

Puni tekst: hrvatski, pdf (384 KB) str. 21-33 preuzimanja: 286* citiraj
APA 6th Edition
Fališevac, D. (2012). Utjecaj dubrovačkog klasicizma na spjev Ljepos duše ivana dražića. Adrias, (18), 21-33. Preuzeto s https://hrcak.srce.hr/99686
MLA 8th Edition
Fališevac, Dunja. "Utjecaj dubrovačkog klasicizma na spjev Ljepos duše ivana dražića." Adrias, vol. , br. 18, 2012, str. 21-33. https://hrcak.srce.hr/99686. Citirano 15.10.2019.
Chicago 17th Edition
Fališevac, Dunja. "Utjecaj dubrovačkog klasicizma na spjev Ljepos duše ivana dražića." Adrias , br. 18 (2012): 21-33. https://hrcak.srce.hr/99686
Harvard
Fališevac, D. (2012). 'Utjecaj dubrovačkog klasicizma na spjev Ljepos duše ivana dražića', Adrias, (18), str. 21-33. Preuzeto s: https://hrcak.srce.hr/99686 (Datum pristupa: 15.10.2019.)
Vancouver
Fališevac D. Utjecaj dubrovačkog klasicizma na spjev Ljepos duše ivana dražića. Adrias [Internet]. 2012 [pristupljeno 15.10.2019.];(18):21-33. Dostupno na: https://hrcak.srce.hr/99686
IEEE
D. Fališevac, "Utjecaj dubrovačkog klasicizma na spjev Ljepos duše ivana dražića", Adrias, vol., br. 18, str. 21-33, 2012. [Online]. Dostupno na: https://hrcak.srce.hr/99686. [Citirano: 15.10.2019.]

Sažetak
This paper analyses the epic Ljepos duše written by Ivan Dražić, a poet from Split (1655 - 1739). The epic was written amidst baroque epics of Dubrovnik, on the one hand and academic classicism of Dubrovnik, on the other hand. It was also influenced by certain new innovative religious and theological streams in Western Europe of the time. After describing the epic poem, its themes and viewpoints, the author determines some general characteristics of style and periodisation of classicism in European and Croatian literature, and discusses its poetic framework.
Since Dražić`s epic synthesises elements of baroque Dubrovnik (religious epic) and academic classicism (rationally founded and systematically elaborated discussion on human soul), the author raises a question of possible coexistence of baroque and classicism in a single epic, since these two styles are usually deemed as antagonistic. The author also emphasises that Dražić was the first poet to wilfully implement the literary culture of Dubrovnik in his work, hence starting the process of establishing that literature as supraregional and canonical at the same time for all future literary works.

Ključne riječi
baroque; religious epic; academic classicism; rationalism; the Enlightenment

Hrčak ID: 99686

URI
https://hrcak.srce.hr/99686

[hrvatski]

Posjeta: 471 *