APA 6th Edition Dolenc, B. (2013). Izvedba pisanja kao heterotopija. Filozofska istraživanja, 33 (1), 47-59. Retrieved from https://hrcak.srce.hr/101683
MLA 8th Edition Dolenc, Barbara. "Izvedba pisanja kao heterotopija." Filozofska istraživanja, vol. 33, no. 1, 2013, pp. 47-59. https://hrcak.srce.hr/101683. Accessed 1 Jun. 2020.
Chicago 17th Edition Dolenc, Barbara. "Izvedba pisanja kao heterotopija." Filozofska istraživanja 33, no. 1 (2013): 47-59. https://hrcak.srce.hr/101683
Harvard Dolenc, B. (2013). 'Izvedba pisanja kao heterotopija', Filozofska istraživanja, 33(1), pp. 47-59. Available at: https://hrcak.srce.hr/101683 (Accessed 01 June 2020)
Vancouver Dolenc B. Izvedba pisanja kao heterotopija. Filozofska istraživanja [Internet]. 2013 [cited 2020 June 01];33(1):47-59. Available from: https://hrcak.srce.hr/101683
IEEE B. Dolenc, "Izvedba pisanja kao heterotopija", Filozofska istraživanja, vol.33, no. 1, pp. 47-59, 2013. [Online]. Available: https://hrcak.srce.hr/101683. [Accessed: 01 June 2020]
Abstracts This paper discusses one specific problem in the field of performance writing, namely the relation between textual performativity and heterotopias which are defined as “other spaces of discourse” and can be found both in literature andtheatre. Two main questions emerge: how does writing perform and how does it challenge the performance in heterotopic spaces of literature and postdramatic theatre? Furthermore the paper tries to explain the (im)possibilities of performance writing to act politically inside the microphysics of power, in conditions where resistance transforms itself into norms and norms mutate into resistance. The key pillars of the discussion are the interferences between philosophical texts of post-structuralist provenance and art practices in performance writing, which deal with forces of in(ter)vention.