APA 6th Edition Vojnović, B. (1992). Ljubo Babić i pučka umjetnost. Ethnologica Dalmatica, (1), 109-115. Preuzeto s https://hrcak.srce.hr/109129
MLA 8th Edition Vojnović, Branka. "Ljubo Babić i pučka umjetnost." Ethnologica Dalmatica, vol. , br. 1, 1992, str. 109-115. https://hrcak.srce.hr/109129. Citirano 10.05.2021.
Chicago 17th Edition Vojnović, Branka. "Ljubo Babić i pučka umjetnost." Ethnologica Dalmatica , br. 1 (1992): 109-115. https://hrcak.srce.hr/109129
Harvard Vojnović, B. (1992). 'Ljubo Babić i pučka umjetnost', Ethnologica Dalmatica, (1), str. 109-115. Preuzeto s: https://hrcak.srce.hr/109129 (Datum pristupa: 10.05.2021.)
Vancouver Vojnović B. Ljubo Babić i pučka umjetnost. Ethnologica Dalmatica [Internet]. 1992 [pristupljeno 10.05.2021.];(1):109-115. Dostupno na: https://hrcak.srce.hr/109129
IEEE B. Vojnović, "Ljubo Babić i pučka umjetnost", Ethnologica Dalmatica, vol., br. 1, str. 109-115, 1992. [Online]. Dostupno na: https://hrcak.srce.hr/109129. [Citirano: 10.05.2021.]
Sažetak In the versatile activity of painter Ljubo Babić we have concentraded on his interest for folk art, applied as motives in his early works that grew stronger in the forties after studying national costumes. Analyses of the colouration by means of the colour scale lead him to a conclusion that the relations between chromatic and achromatic scale, mostly combinations of red and white, are essential in the Croatian national costume. Rural art and the application of colour is recognised by its specific nerve and originality and when studying collective and individual work he concludes that our art is a unification of both.