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Prethodno priopćenje
The Implosion of Art between 0 and 1
Miroljub Radojković
orcid.org/0000-0002-6865-1817
; Faculty of Political Sciences, University of Belgrade, Serbia
| Puni tekst: hrvatski, pdf (232 KB) | str. 114-122 | citiraj | |
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APA 6th Edition Radojković, M. (2013). Umjetnost u doba digitalne reprodukcije. In medias res, 2 (2), 114-122. Preuzeto s https://hrcak.srce.hr/114449 MLA 8th Edition Radojković, Miroljub. "Umjetnost u doba digitalne reprodukcije." In medias res, vol. 2, br. 2, 2013, str. 114-122. https://hrcak.srce.hr/114449. Citirano 03.12.2020. Chicago 17th Edition Radojković, Miroljub. "Umjetnost u doba digitalne reprodukcije." In medias res 2, br. 2 (2013): 114-122. https://hrcak.srce.hr/114449 Harvard Radojković, M. (2013). 'Umjetnost u doba digitalne reprodukcije', In medias res, 2(2), str. 114-122. Preuzeto s: https://hrcak.srce.hr/114449 (Datum pristupa: 03.12.2020.) Vancouver Radojković M. Umjetnost u doba digitalne reprodukcije. In medias res [Internet]. 2013 [pristupljeno 03.12.2020.];2(2):114-122. Dostupno na: https://hrcak.srce.hr/114449 IEEE M. Radojković, "Umjetnost u doba digitalne reprodukcije", In medias res, vol.2, br. 2, str. 114-122, 2013. [Online]. Dostupno na: https://hrcak.srce.hr/114449. [Citirano: 03.12.2020.] |
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Sažetak
I take as a starting point Benjamin’s premise that one should be ready for innovation changing the entire artistic technique and possibly even leading to a change in the idea of art itself, i.e. its being. Nowadays, art can be found within cyber-networks, surviving through the third phase of simulation and authenticity. In the first phase, it was subjected to the rules of mimesis; the second shocked it with mass reproduction by way of industry. It was then that it was pulled into the capitalist currents of trade, power and profit.
Art has no authenticity in the modern age, it simulates nothing and it belongs to the floating simulacra of the www, instead. It reaches atomised subjects who are unable to tie it to a place and time, since these categories do not exist in the cyber world. This is why the work of art has also lost its aura, since it depended on the categories of here and now. Actually, there is a multitude of its auras defined by the recipients proceeding from their own here and now.
Ključne riječi
art; reproduction; creativity; Postmodernism; death of art
Hrčak ID: 114449
URI
https://hrcak.srce.hr/114449
Moj profil
Srce