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Adorno’s Theory of Mimesis at the “End of Bourgeois Epoch”

Dragana Jeremić-Molnar ; Fakultet muzičke umetnosti, Univerzitet umetnosti u Beogradu, Srbija
Aleksandar Molnar   ORCID icon orcid.org/0000-0001-9963-5070 ; Filozofski fakultet, Univerzitet u Beogradu, Srbija

Puni tekst: hrvatski, pdf (355 KB) str. 723-738 preuzimanja: 868* citiraj
APA 6th Edition
Jeremić-Molnar, D. i Molnar, A. (2013). Adornova teorija mimezisa »na kraju građanske epohe«. Filozofska istraživanja, 33 (4), 723-738. Preuzeto s https://hrcak.srce.hr/118588
MLA 8th Edition
Jeremić-Molnar, Dragana i Aleksandar Molnar. "Adornova teorija mimezisa »na kraju građanske epohe«." Filozofska istraživanja, vol. 33, br. 4, 2013, str. 723-738. https://hrcak.srce.hr/118588. Citirano 21.06.2021.
Chicago 17th Edition
Jeremić-Molnar, Dragana i Aleksandar Molnar. "Adornova teorija mimezisa »na kraju građanske epohe«." Filozofska istraživanja 33, br. 4 (2013): 723-738. https://hrcak.srce.hr/118588
Harvard
Jeremić-Molnar, D., i Molnar, A. (2013). 'Adornova teorija mimezisa »na kraju građanske epohe«', Filozofska istraživanja, 33(4), str. 723-738. Preuzeto s: https://hrcak.srce.hr/118588 (Datum pristupa: 21.06.2021.)
Vancouver
Jeremić-Molnar D, Molnar A. Adornova teorija mimezisa »na kraju građanske epohe«. Filozofska istraživanja [Internet]. 2013 [pristupljeno 21.06.2021.];33(4):723-738. Dostupno na: https://hrcak.srce.hr/118588
IEEE
D. Jeremić-Molnar i A. Molnar, "Adornova teorija mimezisa »na kraju građanske epohe«", Filozofska istraživanja, vol.33, br. 4, str. 723-738, 2013. [Online]. Dostupno na: https://hrcak.srce.hr/118588. [Citirano: 21.06.2021.]

Sažetak
Adorno developed his theory of mimesis as one of the main pillars of his critical theory of society and its (lack of) progress. In order to show the origins and importance of Adorno’s theory of mimesis, the authors proceeded in four steps. In the first part of the article they are establishing connections between Adorno’s and Callois’ theory of mimesis, as the starting point of Adorno’s dealing with this topic; in second part they pay attention to Adorno’s first application of theory of mimesis on the class relations in mass society of modern capitalism; third part brings insights in Adorno’s critique of mimetic tendencies of modern science; and in fourth part the ambiguities of mimetic art in Adorno’s sociology of music and aesthetic theory are revealed. Some of these mimetic manifestations Adorno interpreted as the signs of the “bourgeois epoch” approaching to its very end, while some of them he perceived as the bearers of hope in regeneration.

Ključne riječi
Theodor Adorno; mimesis; Roger Callois; society; progress; class; science, art

Hrčak ID: 118588

URI
https://hrcak.srce.hr/118588

[hrvatski]

Posjeta: 1.361 *