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Fatal Fascination or Calculated Choice: The Conceit in Seventeenth Century English Poetry

Janja Ciglar-Žanić

Puni tekst: engleski, pdf (1 MB) str. 3-20 preuzimanja: 197* citiraj
APA 6th Edition
Ciglar-Žanić, J. (1986). Fatal Fascination or Calculated Choice: The Conceit in Seventeenth Century English Poetry. Studia Romanica et Anglica Zagrabiensia, 31-32 (-), 3-20. Preuzeto s https://hrcak.srce.hr/121609
MLA 8th Edition
Ciglar-Žanić, Janja. "Fatal Fascination or Calculated Choice: The Conceit in Seventeenth Century English Poetry." Studia Romanica et Anglica Zagrabiensia, vol. 31-32, br. -, 1986, str. 3-20. https://hrcak.srce.hr/121609. Citirano 20.06.2019.
Chicago 17th Edition
Ciglar-Žanić, Janja. "Fatal Fascination or Calculated Choice: The Conceit in Seventeenth Century English Poetry." Studia Romanica et Anglica Zagrabiensia 31-32, br. - (1986): 3-20. https://hrcak.srce.hr/121609
Harvard
Ciglar-Žanić, J. (1986). 'Fatal Fascination or Calculated Choice: The Conceit in Seventeenth Century English Poetry', Studia Romanica et Anglica Zagrabiensia, 31-32(-), str. 3-20. Preuzeto s: https://hrcak.srce.hr/121609 (Datum pristupa: 20.06.2019.)
Vancouver
Ciglar-Žanić J. Fatal Fascination or Calculated Choice: The Conceit in Seventeenth Century English Poetry. Studia Romanica et Anglica Zagrabiensia [Internet]. 1986 [pristupljeno 20.06.2019.];31-32(-):3-20. Dostupno na: https://hrcak.srce.hr/121609
IEEE
J. Ciglar-Žanić, "Fatal Fascination or Calculated Choice: The Conceit in Seventeenth Century English Poetry", Studia Romanica et Anglica Zagrabiensia, vol.31-32, br. -, str. 3-20, 1986. [Online]. Dostupno na: https://hrcak.srce.hr/121609. [Citirano: 20.06.2019.]

Sažetak
This study proposes to re-examine the nature of English 17"' century concettism against the ac ground of contemporary insights into the nature of the phenomenon in European Baroque poetry. Typical instances of concettistic patterns in the poetry of English post-Renaissance poets are scrutinized, attention being paid throughout to their most frequent structural functions as much as to their most requent rhetorical components. The results lead the author to the conclusion that a unified set of poetic motivations, strongly resembling those operating in European Baroque poetry,
underly the concettistic practices of numerous English post-Renaissancevpoets. A wider recognition of the fact may have important consequences for the future study of English post-Renaissance literary developments.

Hrčak ID: 121609

URI
https://hrcak.srce.hr/121609

[hrvatski]

Posjeta: 315 *