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THE DOUBLE IN JEAN DE ROTROU’S SOSIES AND MOLIÈRE’S AMPHITRYON

Mirna Sindičić Sabljo   ORCID icon orcid.org/0000-0002-3778-158X ; Sveučilište u Zadru - Odjel za francuske i iberoromanske studije

Puni tekst: hrvatski, pdf (239 KB) str. 103-116 preuzimanja: 304* citiraj
APA 6th Edition
Sindičić Sabljo, M. (2014). DVOJNIŠTVO U "SOSIJAMA" JEANA DE ROTROUA I MOLIÈREOVU "AMFITRIONU". FLUMINENSIA, 26 (1), 103-116. Preuzeto s https://hrcak.srce.hr/124917
MLA 8th Edition
Sindičić Sabljo, Mirna. "DVOJNIŠTVO U "SOSIJAMA" JEANA DE ROTROUA I MOLIÈREOVU "AMFITRIONU"." FLUMINENSIA, vol. 26, br. 1, 2014, str. 103-116. https://hrcak.srce.hr/124917. Citirano 30.03.2020.
Chicago 17th Edition
Sindičić Sabljo, Mirna. "DVOJNIŠTVO U "SOSIJAMA" JEANA DE ROTROUA I MOLIÈREOVU "AMFITRIONU"." FLUMINENSIA 26, br. 1 (2014): 103-116. https://hrcak.srce.hr/124917
Harvard
Sindičić Sabljo, M. (2014). 'DVOJNIŠTVO U "SOSIJAMA" JEANA DE ROTROUA I MOLIÈREOVU "AMFITRIONU"', FLUMINENSIA, 26(1), str. 103-116. Preuzeto s: https://hrcak.srce.hr/124917 (Datum pristupa: 30.03.2020.)
Vancouver
Sindičić Sabljo M. DVOJNIŠTVO U "SOSIJAMA" JEANA DE ROTROUA I MOLIÈREOVU "AMFITRIONU". FLUMINENSIA [Internet]. 2014 [pristupljeno 30.03.2020.];26(1):103-116. Dostupno na: https://hrcak.srce.hr/124917
IEEE
M. Sindičić Sabljo, "DVOJNIŠTVO U "SOSIJAMA" JEANA DE ROTROUA I MOLIÈREOVU "AMFITRIONU"", FLUMINENSIA, vol.26, br. 1, str. 103-116, 2014. [Online]. Dostupno na: https://hrcak.srce.hr/124917. [Citirano: 30.03.2020.]

Sažetak
Ever since Antiquity the story of Amphitryon and his wife Alcmene has been drawing attention of
writers belonging to different periods of literary history, among others, Plautus, John Dryden,
Heinrich von Kleist, Jean Giraudoux, Luis de Camões, Georg Kaiser, Peter Hacks and Ignacio
Padilla. Amphitryon and Sosies’s destinies were the topics of Jean de Rotrou’s (Sosies, 1636) and
Molière’s (Amphitryon, 1668) comedies. This paper focuses on the analysis of the double in these
two texts, Sosies and Amphitryon. The paper, in its introductory part, analyses intertextual
relations between Rotrou’s and Molière’s texts, as well as their relationship with Plautus’s
template. The comic potential of these texts resides in the appearance of physical doubles that
steal the main character’s identities. The analysis is based on Jacques Lacan’s concept of a Mirror
stage. The motif of the double in Rotrou’s and Molière’s comedies is related to the anxiety
provoked by the 17th century epistemological rupture.

Ključne riječi
Amphytrion; baroque; double; French theatre; identity; the self; Jean de Rotrou; Molière

Hrčak ID: 124917

URI
https://hrcak.srce.hr/124917

[hrvatski]

Posjeta: 448 *