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SLAVISM — THE ONE OF THE NATIONAL ORIENTATIONS IN THE WORKS OF FRANIO KSAVER KUHAČ
Andrija Tomašek
Sažetak
The central component of the musical-literary engagement of Franjo
Ksaver Kuhač was the Croatian national music. The Kuhac's musico-
logical £ind journalistic works bear witness about his intentions to
solve the theoretical problems of creation of the national music and
that not of the Croatians only but of the southern Slavs and Slavs
at all, intending to promote the very Slavic times, proving that exactly
the Slavs took the major part in contributing to the development
of the European musical culture.
In the range of his works, Kuhač has presentet numerous thesis,
and working them out he brought to the daylight the data which
have confirmed each of them separately.
Herewith, the three of them are going to be introduced especially
The first one tells about the Slavs as the people with the indigenous
sence of music, pointing out the social meaning of it, guarding and
taking into consideration the traditional values of its own music
whose creative potential is enormous.
In the second one it was shown and proved that the Slavs in
early and late Middle-Ages had the music and tunes with their authen-
tical features, which, looking from general point of view, was on the
same level as the West-European music and its nations were.
In the third thesis the need and necessarity was point out to
correct the historical delusions (no matter if intentional or causal)
regarding to the music of the Slavs, which have contributed more to
the evolution of the European music as it is normaly belived both
regarding the musical-theoretical action, creation and p>erformance.
Proving the quality of the Slavic and West-European music. Kuhač
especially accentuated the Slavs should, even because of patriotical
reasons, create their musical culture and develop it, based upon the
tradition of their own and not of the foreign music.
Ključne riječi
Hrčak ID:
134076
URI
Datum izdavanja:
5.12.1989.
Posjeta: 779 *