APA 6th Edition Bošković, I. (2014). PRVI SVJETSKI RAT NA SPLITSKOJ POZORNICI. Croatica et Slavica Iadertina, 10/1 (10.), 251-262. Preuzeto s https://hrcak.srce.hr/136594
MLA 8th Edition Bošković, Ivan. "PRVI SVJETSKI RAT NA SPLITSKOJ POZORNICI." Croatica et Slavica Iadertina, vol. 10/1, br. 10., 2014, str. 251-262. https://hrcak.srce.hr/136594. Citirano 01.03.2021.
Chicago 17th Edition Bošković, Ivan. "PRVI SVJETSKI RAT NA SPLITSKOJ POZORNICI." Croatica et Slavica Iadertina 10/1, br. 10. (2014): 251-262. https://hrcak.srce.hr/136594
Harvard Bošković, I. (2014). 'PRVI SVJETSKI RAT NA SPLITSKOJ POZORNICI', Croatica et Slavica Iadertina, 10/1(10.), str. 251-262. Preuzeto s: https://hrcak.srce.hr/136594 (Datum pristupa: 01.03.2021.)
Vancouver Bošković I. PRVI SVJETSKI RAT NA SPLITSKOJ POZORNICI. Croatica et Slavica Iadertina [Internet]. 2014 [pristupljeno 01.03.2021.];10/1(10.):251-262. Dostupno na: https://hrcak.srce.hr/136594
IEEE I. Bošković, "PRVI SVJETSKI RAT NA SPLITSKOJ POZORNICI", Croatica et Slavica Iadertina, vol.10/1, br. 10., str. 251-262, 2014. [Online]. Dostupno na: https://hrcak.srce.hr/136594. [Citirano: 01.03.2021.]
Sažetak The First World War did not completely interrupt theatrical events in Split. In the diffiult war conditions, the theatre, often rearranged for occasional and charitable programmes, also regularly staged events which testifid to the efforts made to alleviate war adversity. In the absence of a real theatre, this role was assumed by agile amateurs and frequent guest performances signifiantly contributed to the whole activity of the thaetre, with light comedy pieces, both foreign and domestic, being especially appreciated. In Split performances, some inportant names became known that would also prove themselves in other environments. Since archival records of the performances of that time are almost non-existent, the local chronicles Naše jedinstvo and Dan help us to reconstruct the theatre events, and few lenghtier descriptions and reviews of the performances, the cast and the reception by the audience give us the information for a more graphic thaetrical framework.