APA 6th Edition Marković, V. (1991). Crkva sv. Servola u Bujama — izgradnja i arhitektura. Peristil, 34 (1), 69-80. Preuzeto s https://hrcak.srce.hr/139603
MLA 8th Edition Marković, Vladimir. "Crkva sv. Servola u Bujama — izgradnja i arhitektura." Peristil, vol. 34, br. 1, 1991, str. 69-80. https://hrcak.srce.hr/139603. Citirano 19.09.2021.
Chicago 17th Edition Marković, Vladimir. "Crkva sv. Servola u Bujama — izgradnja i arhitektura." Peristil 34, br. 1 (1991): 69-80. https://hrcak.srce.hr/139603
Harvard Marković, V. (1991). 'Crkva sv. Servola u Bujama — izgradnja i arhitektura', Peristil, 34(1), str. 69-80. Preuzeto s: https://hrcak.srce.hr/139603 (Datum pristupa: 19.09.2021.)
Vancouver Marković V. Crkva sv. Servola u Bujama — izgradnja i arhitektura. Peristil [Internet]. 1991 [pristupljeno 19.09.2021.];34(1):69-80. Dostupno na: https://hrcak.srce.hr/139603
IEEE V. Marković, "Crkva sv. Servola u Bujama — izgradnja i arhitektura", Peristil, vol.34, br. 1, str. 69-80, 1991. [Online]. Dostupno na: https://hrcak.srce.hr/139603. [Citirano: 19.09.2021.]
Sažetak The book Buie tra Storia e Fede by B. Boissero and R. Bartoli discloses the information about the designs and builders of the church of S. Servolo in Buje, as well as about the period of its construction (1754-1768). These facts are published by V. Marković, together with the architecture of the church and its wooden model. He found out the following: G. Dongetti, the architect trom Piran, is the author of the wooden model which was mainly realized in the construction of the altar and the nave, up to the level of the chapels and the long range of pilasters. The construction of the church was continued by the Kopar architect A. Naiber, who abandoned Dongetti's ceiling design and finished the nave with a vault, reduced the number of windows and substituted stucco reliefs for them. Traces of these changes can be seen on the roof truss, for in 1816 the architect Righetti from Trieste built a new vault which reduced the height of the nave.
Marković finds other examples of partitions between the nave and the altar made up of three arches in the contemporary architecture of the churches in the Rovigo area, which follow Palladio`s ideas, as well as in most Veneto churches of that period. Dongetti's design differs from the ones mentioned in the ceiling covering the nave and in the form of the partition, which is made up of three arches and does not have the shape of a large serliana. A different partition causes the differences between the nave and the altar, thus altering the scenic qualities of the S. Servolo interior which do not follow the principles of post-Palladian Veneto architecture. The author ascribes these differences to Dongetti's reliance on the 17th century lstrian architecture and to his recollections of the Piran cathedral, where he had formerly been protomaster.
The facad of the church has remained unfinished. From the slanting base the author draws the conclusion that the pilasters which are set on it should repeat the same themes, otherwise unrelated to the facade, not used in the architecture on Croatian coast of the Adriatic or in Venice and not belonging to the tradition of Palladian architecture. The same deviation from Palladian principles can also be seen in Naiber's realization of architectonic plasticity in the interior of the same church.