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Preliminary communication

Nicolas Poussin (?) in the Strossmayer Gallery

Đuro Vanđura ; Strossmayerova galerija HAZU, Zagreb

Fulltext: croatian, pdf (8 MB) pages 81-83 downloads: 131* cite
APA 6th Edition
Vanđura, Đ. (1991). Nicolas Poussin (?) u Strossmayerovoj galeriji. Peristil, 34 (1), 81-83. Retrieved from https://hrcak.srce.hr/139604
MLA 8th Edition
Vanđura, Đuro. "Nicolas Poussin (?) u Strossmayerovoj galeriji." Peristil, vol. 34, no. 1, 1991, pp. 81-83. https://hrcak.srce.hr/139604. Accessed 21 Oct. 2021.
Chicago 17th Edition
Vanđura, Đuro. "Nicolas Poussin (?) u Strossmayerovoj galeriji." Peristil 34, no. 1 (1991): 81-83. https://hrcak.srce.hr/139604
Harvard
Vanđura, Đ. (1991). 'Nicolas Poussin (?) u Strossmayerovoj galeriji', Peristil, 34(1), pp. 81-83. Available at: https://hrcak.srce.hr/139604 (Accessed 21 October 2021)
Vancouver
Vanđura Đ. Nicolas Poussin (?) u Strossmayerovoj galeriji. Peristil [Internet]. 1991 [cited 2021 October 21];34(1):81-83. Available from: https://hrcak.srce.hr/139604
IEEE
Đ. Vanđura, "Nicolas Poussin (?) u Strossmayerovoj galeriji", Peristil, vol.34, no. 1, pp. 81-83, 1991. [Online]. Available: https://hrcak.srce.hr/139604. [Accessed: 21 October 2021]

Abstracts
The mise-en-scene of figures in the painting Holy Family with Elizabeth and John the Baptist from the Strossmayer Gallery in Zagreb (SG-708, oil on canvas, 1 x 1.4 m) is compared to the identical Hermitage composition. The details within the blurred outline are slightly different, but the surroundings derives from two different poetics. In one case the identical composition is a consequence of Classicism; the other one is a case of Baroque articulation of space. Which world is closer to Poussin`s oeuvre?

Hrčak ID: 139604

URI
https://hrcak.srce.hr/139604

[croatian]

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