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Nicolas Poussin (?) in the Strossmayer Gallery

Đuro Vanđura ; Strossmayerova galerija HAZU, Zagreb

Puni tekst: hrvatski, pdf (8 MB) str. 81-83 preuzimanja: 131* citiraj
APA 6th Edition
Vanđura, Đ. (1991). Nicolas Poussin (?) u Strossmayerovoj galeriji. Peristil, 34 (1), 81-83. Preuzeto s https://hrcak.srce.hr/139604
MLA 8th Edition
Vanđura, Đuro. "Nicolas Poussin (?) u Strossmayerovoj galeriji." Peristil, vol. 34, br. 1, 1991, str. 81-83. https://hrcak.srce.hr/139604. Citirano 22.10.2021.
Chicago 17th Edition
Vanđura, Đuro. "Nicolas Poussin (?) u Strossmayerovoj galeriji." Peristil 34, br. 1 (1991): 81-83. https://hrcak.srce.hr/139604
Harvard
Vanđura, Đ. (1991). 'Nicolas Poussin (?) u Strossmayerovoj galeriji', Peristil, 34(1), str. 81-83. Preuzeto s: https://hrcak.srce.hr/139604 (Datum pristupa: 22.10.2021.)
Vancouver
Vanđura Đ. Nicolas Poussin (?) u Strossmayerovoj galeriji. Peristil [Internet]. 1991 [pristupljeno 22.10.2021.];34(1):81-83. Dostupno na: https://hrcak.srce.hr/139604
IEEE
Đ. Vanđura, "Nicolas Poussin (?) u Strossmayerovoj galeriji", Peristil, vol.34, br. 1, str. 81-83, 1991. [Online]. Dostupno na: https://hrcak.srce.hr/139604. [Citirano: 22.10.2021.]

Sažetak
The mise-en-scene of figures in the painting Holy Family with Elizabeth and John the Baptist from the Strossmayer Gallery in Zagreb (SG-708, oil on canvas, 1 x 1.4 m) is compared to the identical Hermitage composition. The details within the blurred outline are slightly different, but the surroundings derives from two different poetics. In one case the identical composition is a consequence of Classicism; the other one is a case of Baroque articulation of space. Which world is closer to Poussin`s oeuvre?

Hrčak ID: 139604

URI
https://hrcak.srce.hr/139604

[hrvatski]

Posjeta: 306 *