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»THE ASSUMPTION OF THE VIRGIN« – FROM A RUBENS PICTURE IN DÜSSELDORF AND THE PONTIUS ETCHING TO ALTARPIECES IN MOSTE PRI KOMENDI (SLOVENIJA), MAKARSKA AND ZAGREB
Sanja Cvetnić
; Filozofski fakultet Sveučilišta u Zagrebu
Puni tekst: hrvatski pdf 3.525 Kb
str. 269-280
preuzimanja: 278
citiraj
APA 6th Edition
Cvetnić, S. (1999). »THE ASSUMPTION OF THE VIRGIN« – FROM A RUBENS PICTURE IN DÜSSELDORF AND THE PONTIUS ETCHING TO ALTARPIECES IN MOSTE PRI KOMENDI (SLOVENIJA), MAKARSKA AND ZAGREB. Prilozi povijesti umjetnosti u Dalmaciji, 38 (1), 269-280. Preuzeto s https://hrcak.srce.hr/145636
MLA 8th Edition
Cvetnić, Sanja. "»THE ASSUMPTION OF THE VIRGIN« – FROM A RUBENS PICTURE IN DÜSSELDORF AND THE PONTIUS ETCHING TO ALTARPIECES IN MOSTE PRI KOMENDI (SLOVENIJA), MAKARSKA AND ZAGREB." Prilozi povijesti umjetnosti u Dalmaciji, vol. 38, br. 1, 1999, str. 269-280. https://hrcak.srce.hr/145636. Citirano 19.04.2024.
Chicago 17th Edition
Cvetnić, Sanja. "»THE ASSUMPTION OF THE VIRGIN« – FROM A RUBENS PICTURE IN DÜSSELDORF AND THE PONTIUS ETCHING TO ALTARPIECES IN MOSTE PRI KOMENDI (SLOVENIJA), MAKARSKA AND ZAGREB." Prilozi povijesti umjetnosti u Dalmaciji 38, br. 1 (1999): 269-280. https://hrcak.srce.hr/145636
Harvard
Cvetnić, S. (1999). '»THE ASSUMPTION OF THE VIRGIN« – FROM A RUBENS PICTURE IN DÜSSELDORF AND THE PONTIUS ETCHING TO ALTARPIECES IN MOSTE PRI KOMENDI (SLOVENIJA), MAKARSKA AND ZAGREB', Prilozi povijesti umjetnosti u Dalmaciji, 38(1), str. 269-280. Preuzeto s: https://hrcak.srce.hr/145636 (Datum pristupa: 19.04.2024.)
Vancouver
Cvetnić S. »THE ASSUMPTION OF THE VIRGIN« – FROM A RUBENS PICTURE IN DÜSSELDORF AND THE PONTIUS ETCHING TO ALTARPIECES IN MOSTE PRI KOMENDI (SLOVENIJA), MAKARSKA AND ZAGREB. Prilozi povijesti umjetnosti u Dalmaciji [Internet]. 1999 [pristupljeno 19.04.2024.];38(1):269-280. Dostupno na: https://hrcak.srce.hr/145636
IEEE
S. Cvetnić, "»THE ASSUMPTION OF THE VIRGIN« – FROM A RUBENS PICTURE IN DÜSSELDORF AND THE PONTIUS ETCHING TO ALTARPIECES IN MOSTE PRI KOMENDI (SLOVENIJA), MAKARSKA AND ZAGREB", Prilozi povijesti umjetnosti u Dalmaciji, vol.38, br. 1, str. 269-280, 1999. [Online]. Dostupno na: https://hrcak.srce.hr/145636. [Citirano: 19.04.2024.]
Puni tekst: engleski pdf 3.525 Kb
str. 269-280
preuzimanja: 557
citiraj
APA 6th Edition
Cvetnić, S. (1999). »THE ASSUMPTION OF THE VIRGIN« – FROM A RUBENS PICTURE IN DÜSSELDORF AND THE PONTIUS ETCHING TO ALTARPIECES IN MOSTE PRI KOMENDI (SLOVENIJA), MAKARSKA AND ZAGREB. Prilozi povijesti umjetnosti u Dalmaciji, 38 (1), 269-280. Preuzeto s https://hrcak.srce.hr/145636
MLA 8th Edition
Cvetnić, Sanja. "»THE ASSUMPTION OF THE VIRGIN« – FROM A RUBENS PICTURE IN DÜSSELDORF AND THE PONTIUS ETCHING TO ALTARPIECES IN MOSTE PRI KOMENDI (SLOVENIJA), MAKARSKA AND ZAGREB." Prilozi povijesti umjetnosti u Dalmaciji, vol. 38, br. 1, 1999, str. 269-280. https://hrcak.srce.hr/145636. Citirano 19.04.2024.
Chicago 17th Edition
Cvetnić, Sanja. "»THE ASSUMPTION OF THE VIRGIN« – FROM A RUBENS PICTURE IN DÜSSELDORF AND THE PONTIUS ETCHING TO ALTARPIECES IN MOSTE PRI KOMENDI (SLOVENIJA), MAKARSKA AND ZAGREB." Prilozi povijesti umjetnosti u Dalmaciji 38, br. 1 (1999): 269-280. https://hrcak.srce.hr/145636
Harvard
Cvetnić, S. (1999). '»THE ASSUMPTION OF THE VIRGIN« – FROM A RUBENS PICTURE IN DÜSSELDORF AND THE PONTIUS ETCHING TO ALTARPIECES IN MOSTE PRI KOMENDI (SLOVENIJA), MAKARSKA AND ZAGREB', Prilozi povijesti umjetnosti u Dalmaciji, 38(1), str. 269-280. Preuzeto s: https://hrcak.srce.hr/145636 (Datum pristupa: 19.04.2024.)
Vancouver
Cvetnić S. »THE ASSUMPTION OF THE VIRGIN« – FROM A RUBENS PICTURE IN DÜSSELDORF AND THE PONTIUS ETCHING TO ALTARPIECES IN MOSTE PRI KOMENDI (SLOVENIJA), MAKARSKA AND ZAGREB. Prilozi povijesti umjetnosti u Dalmaciji [Internet]. 1999 [pristupljeno 19.04.2024.];38(1):269-280. Dostupno na: https://hrcak.srce.hr/145636
IEEE
S. Cvetnić, "»THE ASSUMPTION OF THE VIRGIN« – FROM A RUBENS PICTURE IN DÜSSELDORF AND THE PONTIUS ETCHING TO ALTARPIECES IN MOSTE PRI KOMENDI (SLOVENIJA), MAKARSKA AND ZAGREB", Prilozi povijesti umjetnosti u Dalmaciji, vol.38, br. 1, str. 269-280, 1999. [Online]. Dostupno na: https://hrcak.srce.hr/145636. [Citirano: 19.04.2024.]
Sažetak
This work deals with three altarpieces on the iconographic theme of the »Assumption« – in the parish Church of St Sebastian (Boštjana) in Slovenia, in the old Franciscan church in Makarska of Pieter de Coster, and in the parish Church of St Barbara in Gornje Vrapče (Zagreb). Through a comparison with some prints it has been established that the painters of these works all used the same model. We are here dealing with an etching of Paulus Pontius of 1624, which conveyed the Rubens »Assumption of the Virgin« of 1618, done for the main altar of Notre Dame-de-la-Chapelle in Brussels. In his print, Pontius changed the orientation, added a Christ motif, and changed the upper edge into an arch, which are the differentiating elements for the identification of works that used it as a model.
Ključne riječi
Hrčak ID:
145636
URI
https://hrcak.srce.hr/145636
Datum izdavanja:
3.7.2000.
Podaci na drugim jezicima:
hrvatski
Posjeta: 1.444
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