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Baldassare d'Anna in Kreševo and Kraljeva Sutjeska

Sanja Cvetnić ; Filozofski fakultet u Zagrebu, Odsjek za povijest umjetnosti

Puni tekst: hrvatski, pdf (33 MB) str. 261-268 preuzimanja: 92* citiraj
APA 6th Edition
Cvetnić, S. (2007). Baldassare d'Anna u Kreševu i Kraljevoj Sutjesci. Peristil, 50 (1), 261-268. Preuzeto s
MLA 8th Edition
Cvetnić, Sanja. "Baldassare d'Anna u Kreševu i Kraljevoj Sutjesci." Peristil, vol. 50, br. 1, 2007, str. 261-268. Citirano 16.04.2021.
Chicago 17th Edition
Cvetnić, Sanja. "Baldassare d'Anna u Kreševu i Kraljevoj Sutjesci." Peristil 50, br. 1 (2007): 261-268.
Cvetnić, S. (2007). 'Baldassare d'Anna u Kreševu i Kraljevoj Sutjesci', Peristil, 50(1), str. 261-268. Preuzeto s: (Datum pristupa: 16.04.2021.)
Cvetnić S. Baldassare d'Anna u Kreševu i Kraljevoj Sutjesci. Peristil [Internet]. 2007 [pristupljeno 16.04.2021.];50(1):261-268. Dostupno na:
S. Cvetnić, "Baldassare d'Anna u Kreševu i Kraljevoj Sutjesci", Peristil, vol.50, br. 1, str. 261-268, 2007. [Online]. Dostupno na: [Citirano: 16.04.2021.]

The painting of the Last Judgment in the Franciscan church of St. Catherine in Kreševo was attributed to Baldassare d’Anna, »the little painter of Venetian epigonic mannerism«, as he was called by Grgo Gamulin in 1977, on the basis of the artist’s signature, before the exhibitions Franjevci Bosne i Hercegovine na raskršću kultura i civilizacija/Bosnian and Herzegovinian Franciscans at the Crossroads of Cultures and Civilizations (1987.- 1989.). The painting was also recorded by the chronicle of the Kreševo Monastery in 1986 as »old”, so it is most likely that it was originally commissioned by the Franciscans. The painting of the Immaculate Conception with the Lauretan Symbols, St. Stephen the Protomartyr, and the donor Stjepan Dragojlović (1621.) in the collection of the Franciscan monastery of St. John (Ivo) the Baptist in Kraljeva Sutjeska has been so far considered a work by the donor, Stjepan Dragojlović. On the basis of comparative material and of date from literature about a lost signature the author attributes the painting to Baldassare d’Anna, with some reservations due to heavy preservation work undertaken before the above mentioned exhibitions about which there is no documentation available.

Ključne riječi
Baldassare d'Anna; painting; Venice; Mannerism; Bosna Srebrena; Franciscans

Hrčak ID: 148042



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