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FROM TEXT TO STAGE PERFORMANCE (IN SEARCH OF PATHS OF COMMUNICATION)

Dubravka Crnojević-Carić ; Akademija dramske umjetnosti, Zagreb

Puni tekst: hrvatski, pdf (244 KB) str. 203-216 preuzimanja: 504* citiraj
APA 6th Edition
Crnojević-Carić, D. (2015). OD TEKSTA DO SCENSKE IZVEDBE (U POTRAZI ZA PUTOVIMA KOMUNIKACIJE). FLUMINENSIA, 27 (2), 203-216. Preuzeto s https://hrcak.srce.hr/151942
MLA 8th Edition
Crnojević-Carić, Dubravka. "OD TEKSTA DO SCENSKE IZVEDBE (U POTRAZI ZA PUTOVIMA KOMUNIKACIJE)." FLUMINENSIA, vol. 27, br. 2, 2015, str. 203-216. https://hrcak.srce.hr/151942. Citirano 14.08.2020.
Chicago 17th Edition
Crnojević-Carić, Dubravka. "OD TEKSTA DO SCENSKE IZVEDBE (U POTRAZI ZA PUTOVIMA KOMUNIKACIJE)." FLUMINENSIA 27, br. 2 (2015): 203-216. https://hrcak.srce.hr/151942
Harvard
Crnojević-Carić, D. (2015). 'OD TEKSTA DO SCENSKE IZVEDBE (U POTRAZI ZA PUTOVIMA KOMUNIKACIJE)', FLUMINENSIA, 27(2), str. 203-216. Preuzeto s: https://hrcak.srce.hr/151942 (Datum pristupa: 14.08.2020.)
Vancouver
Crnojević-Carić D. OD TEKSTA DO SCENSKE IZVEDBE (U POTRAZI ZA PUTOVIMA KOMUNIKACIJE). FLUMINENSIA [Internet]. 2015 [pristupljeno 14.08.2020.];27(2):203-216. Dostupno na: https://hrcak.srce.hr/151942
IEEE
D. Crnojević-Carić, "OD TEKSTA DO SCENSKE IZVEDBE (U POTRAZI ZA PUTOVIMA KOMUNIKACIJE)", FLUMINENSIA, vol.27, br. 2, str. 203-216, 2015. [Online]. Dostupno na: https://hrcak.srce.hr/151942. [Citirano: 14.08.2020.]

Sažetak
This paper explores the acting in an interdisciplinary way, linking the insights that come from theory and pedagogy of acting and theater studies (Branko Gavella, Michail Chekhov, Konstantin Stanislavsky, Lee Strasberg, Cicely Berry, Antonin Artaud), as well as from contemporary insights of neuroscience (Antonio Damasio, Michel Lacroix, Rosa Alice Branco). By analysing the creative process of the actor, I’ll speak about the nature of speech acts. The actor has the privilege to explore different forms of the communication, as well as speech acts. The creative process of the actor will be analysed through the several work phases (the process of text reading, the individual introduction with the text, the group reading rehearsal, the misenscene rehearsal, tech rehearsal, as well as public performance). During the work processes on a play, communication participants are changing and they adopt the various strategies of communication.
An actor is the one who practices how to re-direct his attention, as well as speech act: he pays attention to the partner, to the director, technical staff, imaginary ideal spectators and real present auditorium. The paper thematises so-called “attention circles” which are defining the speech of actor.
Nature of “attention circle” is changing during the performance. All of the above (the creative process of the actor) is somehow connected with the everydays communication and with the communication during the public presentation of the default topics.
A separate part of this paper will be dedicated to those differences. In this paper I will also consider distinction between the speech act which has pragmatic function in the form of so-called “civil honesty” and position which requires “credibility and organic truth” in order to maintain the interplay between the actors/speakers and spectators /listeners.

Ključne riječi
speech act; performance; actor; simultaneity of narration; the basic and expanded consciousness; the truth of the body

Hrčak ID: 151942

URI
https://hrcak.srce.hr/151942

[hrvatski]

Posjeta: 732 *