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Donka Stančić ; Gradski zavod za zaštitu spomenika kulture Novog Sada

Puni tekst: srpski, pdf (18 MB) str. 293-296 preuzimanja: 119* citiraj
APA 6th Edition
Stančić, D. (1988). Vitraži Novoga Sada i okoline (1894-1986). Peristil, 31-32 (1), 293-296. Preuzeto s
MLA 8th Edition
Stančić, Donka. "Vitraži Novoga Sada i okoline (1894-1986)." Peristil, vol. 31-32, br. 1, 1988, str. 293-296. Citirano 04.08.2021.
Chicago 17th Edition
Stančić, Donka. "Vitraži Novoga Sada i okoline (1894-1986)." Peristil 31-32, br. 1 (1988): 293-296.
Stančić, D. (1988). 'Vitraži Novoga Sada i okoline (1894-1986)', Peristil, 31-32(1), str. 293-296. Preuzeto s: (Datum pristupa: 04.08.2021.)
Stančić D. Vitraži Novoga Sada i okoline (1894-1986). Peristil [Internet]. 1988 [pristupljeno 04.08.2021.];31-32(1):293-296. Dostupno na:
D. Stančić, "Vitraži Novoga Sada i okoline (1894-1986)", Peristil, vol.31-32, br. 1, str. 293-296, 1988. [Online]. Dostupno na: [Citirano: 04.08.2021.]

1>i our c o unt ry, l i t t l e h as b e en p u b l ished about
stained-glass u'indows as works of visual a>id applied art.
Abundance of thi s fund, especially in the nor thern par ts
of the coirntry, can only be speculated. It can be said for
sr>re, t)rorrgh, that they u ere crenfed i» an ahnosl unalfered
> nedieval technique, and that i nterest i n t hi s way of i » terior
enrich»rent uns ar isen only in th e s econd half of
Results obtai»ed by studying preserved stained-glass
windou's in No>i Sad and i t s sur roundings indicate that
»>ost of the» i u'e>e»rađe i>i the f i rst decade of the 20tlr
century and t l i n l th i s p r o d uct ion u'ns (not by c ) rance,
nccordi>ig to o»r opinion) c/ose/y linked wit h penetratio>i
of Secession r>i the cities of So»th Panonia. Betiveen tu>o
u ars nnd >>nIil a f eu ' y ears ago, theve u'as practically
no interest in stai>ied-glass ui>idou's, except for feu i solafeđ
u'orks. Today, along u'ith an increased de»rand on the
>narkel for Secessio>rist n»tiquities,u'e are u i t nesses lo
the appearance of numerous handicraft interiors consiste
»tly arranged nccorđing to the sfyle of Secession or i t s
re>riiniscences, nccompanied by use of sfained-glass u>indo>v
đecorations (uindows, >nirrors, niches, lamps, etc).
sfai»ed-glass uindous hn>e been recorded. Chronologically,
they range f ro>n 1894 to 19 86. Stylistically, ec/ecticis>n
prevails, follou'ed by Secession and quite individual stylistic
expressions. Most of these stnined-glass ivindows weremade by painters fro>i> Biiđapest, those front the Stanišićs'
workshops front So»>bor and, recently, by Jovan Bikicki,
a pai»tei. fro>n Novi Sad.

Hrčak ID: 153376



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