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BETWEEN MODERNISM AND AVANT — GARDA

Tomislav Premeri ; JLZ Miroslav Krleža

Puni tekst: hrvatski, pdf (14 MB) str. 321-324 preuzimanja: 85* citiraj
APA 6th Edition
Premeri, T. (1988). Između moderne i avangarde hrvatska međuratna arhitektura. Peristil, 31-32 (1), 321-324. Preuzeto s https://hrcak.srce.hr/153381
MLA 8th Edition
Premeri, Tomislav. "Između moderne i avangarde hrvatska međuratna arhitektura." Peristil, vol. 31-32, br. 1, 1988, str. 321-324. https://hrcak.srce.hr/153381. Citirano 10.04.2020.
Chicago 17th Edition
Premeri, Tomislav. "Između moderne i avangarde hrvatska međuratna arhitektura." Peristil 31-32, br. 1 (1988): 321-324. https://hrcak.srce.hr/153381
Harvard
Premeri, T. (1988). 'Između moderne i avangarde hrvatska međuratna arhitektura', Peristil, 31-32(1), str. 321-324. Preuzeto s: https://hrcak.srce.hr/153381 (Datum pristupa: 10.04.2020.)
Vancouver
Premeri T. Između moderne i avangarde hrvatska međuratna arhitektura. Peristil [Internet]. 1988 [pristupljeno 10.04.2020.];31-32(1):321-324. Dostupno na: https://hrcak.srce.hr/153381
IEEE
T. Premeri, "Između moderne i avangarde hrvatska međuratna arhitektura", Peristil, vol.31-32, br. 1, str. 321-324, 1988. [Online]. Dostupno na: https://hrcak.srce.hr/153381. [Citirano: 10.04.2020.]

Sažetak
In the modem inter>var Croatia>i archi tect«re, the
co»cepts of the»!oder» and the avant-garde cannot be differe>
itiated, because they actually co-existed in it s formation,
ll»is denying the border betneen them. The avant-garde
should»ot be ide»tified ni t h visual presentation but wi th
an inner instinet and idea that the function creates a nen
order and a ne!v space, and vice versa, n>hereby the borders
betn>een the esthetic and functional, technical and ar tistic,
as a system of an integral creative i>iteraction, i.e. the only
real and recognizable avant-garda, fade anay. The ava»tgarda
can be read from its logical and syste>natic co»struction
tending towards t ruc mdev»ism, excesses being observable
only as top achievements, and avant-garda merely
as a fhoiight and functional complex of spat!al values, not as
a forced vis»al expression. Croatian architecture is moder»
in a >cry special nav and ava»t-garde in a specific n>ay too,
because n'e experience and consider it as a specific time value
and a n ork of its on >n recog»izable expression, as a creative
period at a sensitive and questionable bovder betn>een
modernism and ava»t-gavda.

Hrčak ID: 153381

URI
https://hrcak.srce.hr/153381

[hrvatski]

Posjeta: 164 *