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Conference paper


Iztok Durjava ; Muzej ljudske revolucije Sloveniji u Ljubljani

Fulltext: english, pdf (15 MB) pages 341-344 downloads: 62* cite
APA 6th Edition
Durjava, I. (1988). NEOREALISM IN SLOVENIA — SOME PROBLEMS. Peristil, 31-32 (1), 341-344. Retrieved from
MLA 8th Edition
Durjava, Iztok. "NEOREALISM IN SLOVENIA — SOME PROBLEMS." Peristil, vol. 31-32, no. 1, 1988, pp. 341-344. Accessed 12 May 2021.
Chicago 17th Edition
Durjava, Iztok. "NEOREALISM IN SLOVENIA — SOME PROBLEMS." Peristil 31-32, no. 1 (1988): 341-344.
Durjava, I. (1988). 'NEOREALISM IN SLOVENIA — SOME PROBLEMS', Peristil, 31-32(1), pp. 341-344. Available at: (Accessed 12 May 2021)
Durjava I. NEOREALISM IN SLOVENIA — SOME PROBLEMS. Peristil [Internet]. 1988 [cited 2021 May 12];31-32(1):341-344. Available from:
I. Durjava, "NEOREALISM IN SLOVENIA — SOME PROBLEMS", Peristil, vol.31-32, no. 1, pp. 341-344, 1988. [Online]. Available: [Accessed: 12 May 2021]

This paper deals with the appearance of neorealism
in fhe Slovene visual arts in the mid-twenties. Analysis of
social and ideological motives is related to the appearance
of a ne>v way, thereby using those facts about neorealism
and other»new rea/isms~ in Europe that indicate this phenon>
enon to be part of the outu>ard appeal for order ( rappel
a 1' ordre). Among the documents on neorealisnz, early contemporavy
criticism in par ticular reveals that thi s visual
direction, as compared to expressionism, uas accepted to
a considerably greatev extent. Nou >adays, however, it has
been recognized that the reception of expressionism was
obstructed not only by its forma/, but primarily by its political
and social redicalism. In contrast to it, neorealism is
characterized by its compromising nature corresponding to
the sosio-politica/ pasition in the >nid-twenties, characterized
by te>nporary economic stabilization and optimistic vision
of the development of the midd/e-c/nss society. Thus, the
analysis of some best knou n u orks of neorealism points to their compromising character.

Hrčak ID: 153385



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