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Conference paper

ILJKO GORENČEVIĆ (1896 — 1924) — FIRST MODERN CRITIC OF THE MODERN ART

Vlastimir Kusik ; Galerija likovnih umjetnosti u Osijeku

Fulltext: croatian, pdf (12 MB) pages 383-385 downloads: 129* cite
APA 6th Edition
Kusik, V. (1988). Iljko Gorenčević (1896-1924), prvi moderni kritičar moderne umjetnosti. Peristil, 31-32 (1), 383-385. Retrieved from https://hrcak.srce.hr/153395
MLA 8th Edition
Kusik, Vlastimir. "Iljko Gorenčević (1896-1924), prvi moderni kritičar moderne umjetnosti." Peristil, vol. 31-32, no. 1, 1988, pp. 383-385. https://hrcak.srce.hr/153395. Accessed 21 Sep. 2021.
Chicago 17th Edition
Kusik, Vlastimir. "Iljko Gorenčević (1896-1924), prvi moderni kritičar moderne umjetnosti." Peristil 31-32, no. 1 (1988): 383-385. https://hrcak.srce.hr/153395
Harvard
Kusik, V. (1988). 'Iljko Gorenčević (1896-1924), prvi moderni kritičar moderne umjetnosti', Peristil, 31-32(1), pp. 383-385. Available at: https://hrcak.srce.hr/153395 (Accessed 21 September 2021)
Vancouver
Kusik V. Iljko Gorenčević (1896-1924), prvi moderni kritičar moderne umjetnosti. Peristil [Internet]. 1988 [cited 2021 September 21];31-32(1):383-385. Available from: https://hrcak.srce.hr/153395
IEEE
V. Kusik, "Iljko Gorenčević (1896-1924), prvi moderni kritičar moderne umjetnosti", Peristil, vol.31-32, no. 1, pp. 383-385, 1988. [Online]. Available: https://hrcak.srce.hr/153395. [Accessed: 21 September 2021]

Abstracts
Modem art ,is not the avlistic practice alone; art crit
ique explaining the art a»d expanding the horizon of understanding,
has also been part of i f s h i s tory. Vis>cal avt
critique, as part of the art cr i t iqrce foclcsed on»>oder» art,
has observed modalities in the artistic practice alterations,
thus undergoing certain changes itself. I/j ko Gore»če>ić
(Lav Grun)»as one of the f i rst modevn critics of >»odevn
a vt at t h e t ime o f i t s o»set and i n t roduction ont o t h e
scene of art history of this century. He wrote lilerary, >nusic
and especially vis>cal avl pieces of criticism, in the spirit
of great social t ransfor>nations of th e 1920-ies; later
on, he also u rote fheoretica/ papers, pri>narily on the relationship
bet>vec» the art and society, i.e. on fhe art changing
in the society undergoing transformations through revohction
itself. Although he did not u vite about the avantgarda
practice, his critic s»l >va a> ant-garde by natre, providing
theoretical hy potheses for understanding fhe role
and inlportance of the a> anl-garda. Until his premature death,
Govenčević had accu>nulafeđ quite a large and significant
opus of cri tical-theoretical papers, withorct wich the
history of our modernism uo>c/d be considerably curtailed

Hrčak ID: 153395

URI
https://hrcak.srce.hr/153395

[croatian]

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