APA 6th Edition Bašović, A. (2016). GLAS IZ PUBLIKE. Dani Hvarskoga kazališta, 42 (1), 448-461. Preuzeto s https://hrcak.srce.hr/158232
MLA 8th Edition Bašović, Almir. "GLAS IZ PUBLIKE." Dani Hvarskoga kazališta, vol. 42, br. 1, 2016, str. 448-461. https://hrcak.srce.hr/158232. Citirano 29.03.2020.
Chicago 17th Edition Bašović, Almir. "GLAS IZ PUBLIKE." Dani Hvarskoga kazališta 42, br. 1 (2016): 448-461. https://hrcak.srce.hr/158232
Harvard Bašović, A. (2016). 'GLAS IZ PUBLIKE', Dani Hvarskoga kazališta, 42(1), str. 448-461. Preuzeto s: https://hrcak.srce.hr/158232 (Datum pristupa: 29.03.2020.)
Vancouver Bašović A. GLAS IZ PUBLIKE. Dani Hvarskoga kazališta [Internet]. 2016 [pristupljeno 29.03.2020.];42(1):448-461. Dostupno na: https://hrcak.srce.hr/158232
IEEE A. Bašović, "GLAS IZ PUBLIKE", Dani Hvarskoga kazališta, vol.42, br. 1, str. 448-461, 2016. [Online]. Dostupno na: https://hrcak.srce.hr/158232. [Citirano: 29.03.2020.]
Sažetak This paper focuses on relationship that crucially determines the internal logic of theater, and that is the relationship between the individual and the collective. We take into consideration implications arising from the fact that the theater critic is the individual who writes about work of art to which he witnessed as part of a collective, and thus he actually participated in the construction of a constituent element of the work of art of which he writes. This problem is considered in relation to Aristotle's Poetics, as well as J. L. Styan’s The Elements of Drama and the book Aristotle or the Vampire of the Western Theatre by the French author Florence Dupont. In the end the relationship between the critic as an individual and a critic as a part of the collective is clarified through The Birth of Tragedy famous work by Friedrich Nietzsche.