Izvorni znanstveni članak
A Dystopian Perspective of (Auto)biography Transponed to Storytelling
Željko Milanović
; Filozofski fakultet Univerziteta u Novom Sadu
Zorica Hadžić
; Filozofski fakultet Univerziteta u Novom Sadu
Sažetak
The article presents for the first time a section of Vasa Stajić's autobiographical notes, which describe his stay in Paris in 1901 and encounters with A.G. Matoš. The credibility of Stajić’s memories is confirmed by comparison to other documents that refer to the same people and events as Stajić. The notes on Matoš have triggered an inquiry into processes of transformation of real into literary character, which was also detected in prior studies on Matoš’s prose. The conclusions that we have reached confirm earlier views on Matoš as an autobiographical prose writer and reinforce moreover Mladen Leskovac’s assertion that Vasa Stajić is actually transposed into a character of Matoš's novella named „Duševni čovjek” (The Spiritual Man). Understanding Matoš's affinity toward autobiographical inclusion even in his less known novellas evinces his posture regarding possible transformation of society, which was present both in his work and his Parisian sojourn, and found its counterpart in Vasa Stajić's work. Matoš's literary relocation of Vasa Stajić indicates Matoš's dystopian attitude toward possibilities for change in a society that he describes or that forms part of his surrounding during his stay in Paris, but also points out to so far unnoticed motivation of his characters which are related to both theory and practice of anarchism.
Ključne riječi
Hrčak ID:
168524
URI
Datum izdavanja:
20.9.2016.
Posjeta: 866 *