hrcak mascot   Srce   HID

Stručni rad
https://doi.org/10.17234/SocEkol.24.2.6

Digital Radiation: A Look at the Dehumanising Effect of Rationalisation Through the Prism of Dystopian Film

Tomislav Keglević Radanović ; Student na Odsjeku za sociologiju Filozofskog fakulteta u Zagrebu

Puni tekst: hrvatski, pdf (157 KB) str. 191-208 preuzimanja: 263* citiraj
APA 6th Edition
Keglević Radanović, T. (2015). Digitalna radijacija: osvrt na dehumanizirajući efekt racionalizacije kroz prizmu distopijskog filma. Socijalna ekologija, 24 (2-3), 191-208. https://doi.org/10.17234/SocEkol.24.2.6
MLA 8th Edition
Keglević Radanović, Tomislav. "Digitalna radijacija: osvrt na dehumanizirajući efekt racionalizacije kroz prizmu distopijskog filma." Socijalna ekologija, vol. 24, br. 2-3, 2015, str. 191-208. https://doi.org/10.17234/SocEkol.24.2.6. Citirano 10.07.2020.
Chicago 17th Edition
Keglević Radanović, Tomislav. "Digitalna radijacija: osvrt na dehumanizirajući efekt racionalizacije kroz prizmu distopijskog filma." Socijalna ekologija 24, br. 2-3 (2015): 191-208. https://doi.org/10.17234/SocEkol.24.2.6
Harvard
Keglević Radanović, T. (2015). 'Digitalna radijacija: osvrt na dehumanizirajući efekt racionalizacije kroz prizmu distopijskog filma', Socijalna ekologija, 24(2-3), str. 191-208. https://doi.org/10.17234/SocEkol.24.2.6
Vancouver
Keglević Radanović T. Digitalna radijacija: osvrt na dehumanizirajući efekt racionalizacije kroz prizmu distopijskog filma. Socijalna ekologija [Internet]. 2015 [pristupljeno 10.07.2020.];24(2-3):191-208. https://doi.org/10.17234/SocEkol.24.2.6
IEEE
T. Keglević Radanović, "Digitalna radijacija: osvrt na dehumanizirajući efekt racionalizacije kroz prizmu distopijskog filma", Socijalna ekologija, vol.24, br. 2-3, str. 191-208, 2015. [Online]. https://doi.org/10.17234/SocEkol.24.2.6

Sažetak
This paper examines the process of rationalization – its agencies, consequences for society and the effect on humans. It attempts to entangle the complex web of paradigms and procedures that we call rationalization, firstly by looking at it as a system based on unconditional efficiency and controllability, then as a process of transferring those premises onto social relations, and finally as an irrational entity which stands over and above all else and shifts purposes and power, which in turn necessarily effects humans. These tendencies will be presented though a brief reflection on the philosophy of science. A synthesis of several authors’ perspectives on this issue will be given (e.g. Weber, Ritzer), followed by a brief discussion on irrationality of relevant rationalization processes and dehumanization as their fundamental tendency. By deriving dystopia from rationalization, fears and expectations from these tendencies will be observed through the prism of dystopian film. Due to its capacity to display both intended and unintended content, film is chosen as an indicator or a reflection of the process of rationalization and as a projection of futures based upon it. By revealing the false foundations of the rationalization paradigm and its ontologically fragmenting effects on both the individual and society, the paper argues for a need to stay aware of these processes in order to be able to discern a more adequate, humane horizon.

Ključne riječi
rationalization; power; dehumanization; digital radiation; dystopian film

Hrčak ID: 168534

URI
https://hrcak.srce.hr/168534

[hrvatski] [njemački]

Posjeta: 510 *