APA 6th Edition Laoureux, D. (2016). Što slika otkriva pismu. Književna smotra, 48 (180(2)), 27-33. Retrieved from https://hrcak.srce.hr/170345
MLA 8th Edition Laoureux, Denis. "Što slika otkriva pismu." Književna smotra, vol. 48, no. 180(2), 2016, pp. 27-33. https://hrcak.srce.hr/170345. Accessed 25 Jan. 2020.
Chicago 17th Edition Laoureux, Denis. "Što slika otkriva pismu." Književna smotra 48, no. 180(2) (2016): 27-33. https://hrcak.srce.hr/170345
Harvard Laoureux, D. (2016). 'Što slika otkriva pismu', Književna smotra, 48(180(2)), pp. 27-33. Available at: https://hrcak.srce.hr/170345 (Accessed 25 January 2020)
Vancouver Laoureux D. Što slika otkriva pismu. Književna smotra [Internet]. 2016 [cited 2020 January 25];48(180(2)):27-33. Available from: https://hrcak.srce.hr/170345
IEEE D. Laoureux, "Što slika otkriva pismu", Književna smotra, vol.48, no. 180(2), pp. 27-33, 2016. [Online]. Available: https://hrcak.srce.hr/170345. [Accessed: 25 January 2020]
Abstracts The article studies a proensity in Belgian francophone literature a propensity observable since the 19th century and to this day, to associate image to text. The chosen angle is that of spatialization of poetic texts. Though examining the graphic and/or typographic experiments of poets like Elskamp, de Bosschère or Nougé, or the investigations of Dotremont and Broodthaers, it aims to show that, notwithstanding the variety of forms and methods, an outstanding continuity – connected to joint treatment of text and image – is at work in Belgian francophone poetry.