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EVALUATION OF THE SOUND RECORDINGS OF VARAŽDIN BAROQUE EVENINGS AND OTHER CLASSICAL MUSIC CONCERTS AND IMPORTANCE OF PRESERVING THIS MUSICAL HERITAGE

Vladimir Gotal ; Udruga za menadžment glazbene i primijenjene umjetnosti „Aulos„ Varaždin

Puni tekst: engleski, pdf (1004 KB) str. 157-158 preuzimanja: 161* citiraj
APA 6th Edition
Gotal, V. (2016). EVALUATION OF THE SOUND RECORDINGS OF VARAŽDIN BAROQUE EVENINGS AND OTHER CLASSICAL MUSIC CONCERTS AND IMPORTANCE OF PRESERVING THIS MUSICAL HERITAGE. Radovi Zavoda za znanstveni rad Varaždin, (27), 157-158. Preuzeto s https://hrcak.srce.hr/170962
MLA 8th Edition
Gotal, Vladimir. "EVALUATION OF THE SOUND RECORDINGS OF VARAŽDIN BAROQUE EVENINGS AND OTHER CLASSICAL MUSIC CONCERTS AND IMPORTANCE OF PRESERVING THIS MUSICAL HERITAGE." Radovi Zavoda za znanstveni rad Varaždin, vol. , br. 27, 2016, str. 157-158. https://hrcak.srce.hr/170962. Citirano 07.12.2019.
Chicago 17th Edition
Gotal, Vladimir. "EVALUATION OF THE SOUND RECORDINGS OF VARAŽDIN BAROQUE EVENINGS AND OTHER CLASSICAL MUSIC CONCERTS AND IMPORTANCE OF PRESERVING THIS MUSICAL HERITAGE." Radovi Zavoda za znanstveni rad Varaždin , br. 27 (2016): 157-158. https://hrcak.srce.hr/170962
Harvard
Gotal, V. (2016). 'EVALUATION OF THE SOUND RECORDINGS OF VARAŽDIN BAROQUE EVENINGS AND OTHER CLASSICAL MUSIC CONCERTS AND IMPORTANCE OF PRESERVING THIS MUSICAL HERITAGE', Radovi Zavoda za znanstveni rad Varaždin, (27), str. 157-158. Preuzeto s: https://hrcak.srce.hr/170962 (Datum pristupa: 07.12.2019.)
Vancouver
Gotal V. EVALUATION OF THE SOUND RECORDINGS OF VARAŽDIN BAROQUE EVENINGS AND OTHER CLASSICAL MUSIC CONCERTS AND IMPORTANCE OF PRESERVING THIS MUSICAL HERITAGE. Radovi Zavoda za znanstveni rad Varaždin [Internet]. 2016 [pristupljeno 07.12.2019.];(27):157-158. Dostupno na: https://hrcak.srce.hr/170962
IEEE
V. Gotal, "EVALUATION OF THE SOUND RECORDINGS OF VARAŽDIN BAROQUE EVENINGS AND OTHER CLASSICAL MUSIC CONCERTS AND IMPORTANCE OF PRESERVING THIS MUSICAL HERITAGE", Radovi Zavoda za znanstveni rad Varaždin, vol., br. 27, str. 157-158, 2016. [Online]. Dostupno na: https://hrcak.srce.hr/170962. [Citirano: 07.12.2019.]
Puni tekst: hrvatski, pdf (1004 KB) str. 135-158 preuzimanja: 207* citiraj
APA 6th Edition
Gotal, V. (2016). VREDNOVANJE TONSKIH ZAPISA S VARAŽDINSKIH BAROKNIH VEČERI I DRUGIH KONCERATA KLASIČNE GLAZBE TE ZNAČENJE NJIHOVA OČUVANJA KAO GLAZBENE BAŠTINE. Radovi Zavoda za znanstveni rad Varaždin, (27), 135-158. Preuzeto s https://hrcak.srce.hr/170962
MLA 8th Edition
Gotal, Vladimir. "VREDNOVANJE TONSKIH ZAPISA S VARAŽDINSKIH BAROKNIH VEČERI I DRUGIH KONCERATA KLASIČNE GLAZBE TE ZNAČENJE NJIHOVA OČUVANJA KAO GLAZBENE BAŠTINE." Radovi Zavoda za znanstveni rad Varaždin, vol. , br. 27, 2016, str. 135-158. https://hrcak.srce.hr/170962. Citirano 07.12.2019.
Chicago 17th Edition
Gotal, Vladimir. "VREDNOVANJE TONSKIH ZAPISA S VARAŽDINSKIH BAROKNIH VEČERI I DRUGIH KONCERATA KLASIČNE GLAZBE TE ZNAČENJE NJIHOVA OČUVANJA KAO GLAZBENE BAŠTINE." Radovi Zavoda za znanstveni rad Varaždin , br. 27 (2016): 135-158. https://hrcak.srce.hr/170962
Harvard
Gotal, V. (2016). 'VREDNOVANJE TONSKIH ZAPISA S VARAŽDINSKIH BAROKNIH VEČERI I DRUGIH KONCERATA KLASIČNE GLAZBE TE ZNAČENJE NJIHOVA OČUVANJA KAO GLAZBENE BAŠTINE', Radovi Zavoda za znanstveni rad Varaždin, (27), str. 135-158. Preuzeto s: https://hrcak.srce.hr/170962 (Datum pristupa: 07.12.2019.)
Vancouver
Gotal V. VREDNOVANJE TONSKIH ZAPISA S VARAŽDINSKIH BAROKNIH VEČERI I DRUGIH KONCERATA KLASIČNE GLAZBE TE ZNAČENJE NJIHOVA OČUVANJA KAO GLAZBENE BAŠTINE. Radovi Zavoda za znanstveni rad Varaždin [Internet]. 2016 [pristupljeno 07.12.2019.];(27):135-158. Dostupno na: https://hrcak.srce.hr/170962
IEEE
V. Gotal, "VREDNOVANJE TONSKIH ZAPISA S VARAŽDINSKIH BAROKNIH VEČERI I DRUGIH KONCERATA KLASIČNE GLAZBE TE ZNAČENJE NJIHOVA OČUVANJA KAO GLAZBENE BAŠTINE", Radovi Zavoda za znanstveni rad Varaždin, vol., br. 27, str. 135-158, 2016. [Online]. Dostupno na: https://hrcak.srce.hr/170962. [Citirano: 07.12.2019.]

Sažetak
Discography – sound recordings and music publishing – is very important for the
quality of music in every community because it has a significant influence on the musicians,
audience and culture in general. Also, discography is especially important for the
preservation and promotion of the Croatian musical heritage and contemporary classical
music. This paper addresses the problems in the field of discography and archiving
of sound recordings of the musical heritage of Varaždin and Varaždin region. Drawing
primarily from his own experience as a long-time music director and producer, the
author focuses on the activity of the Aulos Association, which he presides over and
which has so far released more than 50 titles, mainly in collaboration with other relevant
institutions. One of the major activities of Aulos is the one related to the Varaždin
Baroque Evenings festival and Varaždin Concert Agency: this refers to the Varaždin
Baroque Evenings Audio Archives project. In the overview of the published discography,
the author highlights the albums by three composers from the 18th and 19th century
musical heritage of Varaždin: Ivan Padovec, Leopold Ebner and Ivan Krstitelj Vaňhal,
but also the Aulos editions of contemporary Varaždin composers such as Davor Bobić
and Anđelko Igrec, as well as many Varaždin soloists, choirs and orchestras whose
albums have also been released by Aulos. In his conclusion, the author emphasizes the
importance of further work in this field, especially in terms of the planned project of
digitalisation of old sound recordings at risk of loss in order to make them accessible to
the public via Internet so that musicians and musicologists and general public can learn
more about the musical heritage of Varaždin. Aulos has released sound recording media of performances given by some of the world’s best ensembles and artists (Herbert
von Karajan, Lovro von Matačić, Karl Richter, Robert Stolz, Vladimir Kranjčević, Pavle
Dešpalj, Placido Domingo, José Carreras, Ruža Pospiš-Baldani, Nada Puttar-Gold, Jurica
Murai, Rudolf Klepač, Dunja Vejzović, Tomislav Neralić, Franjo Petrušanec, Vlatka
Oršanić, Višnja Mažuran and many others). Ivana Krstitelja Vaňhala (1739. – 1813.). „Aulos” također objavljuje i prva izdanja suvremenih
hrvatskih (u prvom redu varaždinskih) skladatelja (Davor Bobić, Anđelko
Igrec i drugi). Do sada, predstavljeno je preko 50 izdanja nosača zvuka na kojima su
zabilježene u izvedbe vrhunskih svjetskih dirigenata, ansambala i umjetnika (Herbert
von Karajan, Lovro pl. Matačić, Karl Richter, Robert Stolz, Vladimir Kranjčević, Pavle
Dešpalj, Placido Domingo, José Carreras, Ruža Pospiš-Baldani, Nada Puttar-Gold, Jurica
Murai, Rudolf Klepač, Dunja Vejzović, Tomislav Neralić, Franjo Petrušanec, Vlatka
Oršanič, Višnja Mažuran i mnogi drugi).

Ključne riječi
musical heritage; sound recordings; archiving; Varaždin Baroque Evenings; Aulos

Hrčak ID: 170962

URI
https://hrcak.srce.hr/170962

[hrvatski]

Posjeta: 471 *