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https://doi.org/10.15378/1848-9540.2016.39.09

Walking the Walled City. Gender and the Dérive as Urban Ethnography

Sharanya ; Department of Drama, University of Exeter, Exeter, United Kingdom

Puni tekst: engleski, pdf (412 KB) str. 198-212 preuzimanja: 484* citiraj
APA 6th Edition
Sharanya (2016). Walking the Walled City. Gender and the Dérive as Urban Ethnography. Etnološka tribina, 46 (39), 198-212. https://doi.org/10.15378/1848-9540.2016.39.09
MLA 8th Edition
Sharanya. "Walking the Walled City. Gender and the Dérive as Urban Ethnography." Etnološka tribina, vol. 46, br. 39, 2016, str. 198-212. https://doi.org/10.15378/1848-9540.2016.39.09. Citirano 07.04.2020.
Chicago 17th Edition
Sharanya. "Walking the Walled City. Gender and the Dérive as Urban Ethnography." Etnološka tribina 46, br. 39 (2016): 198-212. https://doi.org/10.15378/1848-9540.2016.39.09
Harvard
Sharanya (2016). 'Walking the Walled City. Gender and the Dérive as Urban Ethnography', Etnološka tribina, 46(39), str. 198-212. https://doi.org/10.15378/1848-9540.2016.39.09
Vancouver
Sharanya. Walking the Walled City. Gender and the Dérive as Urban Ethnography. Etnološka tribina [Internet]. 2016 [pristupljeno 07.04.2020.];46(39):198-212. https://doi.org/10.15378/1848-9540.2016.39.09
IEEE
Sharanya, "Walking the Walled City. Gender and the Dérive as Urban Ethnography", Etnološka tribina, vol.46, br. 39, str. 198-212, 2016. [Online]. https://doi.org/10.15378/1848-9540.2016.39.09

Sažetak
This paper focuses on the possibilities and limitations of the contemporary dérive as a form of ethnography in contemporary Delhi. The dérive, which originated as the Surrealist déambulation and subsequently became the Situationist dérive in the late 1950s, has now been re-imagined by walking artists and practitioners. In seeking to locate the Situationist dérive as an ethnographic practice within (Old) Delhi through Abdelhafid Khatib’s dérive, this paper dwells on the experimental origins of the Situationist dérive and its journey through contemporary pedestrian practices, and asks how walking as a gendered, autoethnographic practice of the city might help narrate and navigate Indian urban spaces.

Ključne riječi
dérive; Delhi; urban ethnography; gender; Abdelhafid Khatib; Situationism; performance; walking

Hrčak ID: 171008

URI
https://hrcak.srce.hr/171008

[hrvatski]

Posjeta: 784 *