APA 6th Edition Lončarević, H. (2016). Zrinsko-frankopanska urota u hrvatskom romanu. Crkva u svijetu, 51 (4), 596-614. Preuzeto s https://hrcak.srce.hr/173295
MLA 8th Edition Lončarević, Hrvoje. "Zrinsko-frankopanska urota u hrvatskom romanu." Crkva u svijetu, vol. 51, br. 4, 2016, str. 596-614. https://hrcak.srce.hr/173295. Citirano 18.05.2021.
Chicago 17th Edition Lončarević, Hrvoje. "Zrinsko-frankopanska urota u hrvatskom romanu." Crkva u svijetu 51, br. 4 (2016): 596-614. https://hrcak.srce.hr/173295
Harvard Lončarević, H. (2016). 'Zrinsko-frankopanska urota u hrvatskom romanu', Crkva u svijetu, 51(4), str. 596-614. Preuzeto s: https://hrcak.srce.hr/173295 (Datum pristupa: 18.05.2021.)
Vancouver Lončarević H. Zrinsko-frankopanska urota u hrvatskom romanu. Crkva u svijetu [Internet]. 2016 [pristupljeno 18.05.2021.];51(4):596-614. Dostupno na: https://hrcak.srce.hr/173295
IEEE H. Lončarević, "Zrinsko-frankopanska urota u hrvatskom romanu", Crkva u svijetu, vol.51, br. 4, str. 596-614, 2016. [Online]. Dostupno na: https://hrcak.srce.hr/173295. [Citirano: 18.05.2021.]
Sažetak The article deals with the Zrinski-Frankopan plot presented in three novels: Urota zrinsko-frankopanska (The Zrinski-Frankopan Plot) by Eugen Kumičić, Hrvatska nad ponorima (Croatia above Abysses) by Virgil Kurbel, and Zlatna vuga (Golden Oriole) by Višnja Stahuljak. In three major units the author of the article tries to elaborate each novel and point out its features, primarily having in mind the steadiness of conceptual layer. Each author of the novels recognized the case of Zrinski-Frankopan plot as an important part of Croatian history, though each of them approached the literary interpretation of that historical event in a different way. While in Kumičić and Kurbel the title itself suggests what the main motive in the course of the narrative is, in Stahuljak the plot is secondary. Her novel, published in 1998, is an example of a post-modern novel, which prefers interference of historical events in the personal and family stories. In this regard, the author focused her narrative emphasis on the atmosphere in which this historical drama took place, viewing it through the lives of ordinary people, while in Kumičić and Kurbel it is a novelistic reconstruction of a historical event, where Kumičić is mostly a documentarist, and Kurbel uses a markedly journalistic and reportage style.