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Gothic Fiction Elements in Pedro Almodóvar’s The Skin I Live In (2011)

Jelena Pataki   ORCID icon orcid.org/0000-0001-8727-3156 ; Faculty of Humanities and Social Sciences, University of Osijek

Puni tekst: engleski, pdf (247 KB) str. 225-241 preuzimanja: 711* citiraj
APA 6th Edition
Pataki, J. (2016). Gothic Fiction Elements in Pedro Almodóvar’s The Skin I Live In (2011). Anafora, 3. (2.), 225-241. Preuzeto s https://hrcak.srce.hr/174415
MLA 8th Edition
Pataki, Jelena. "Gothic Fiction Elements in Pedro Almodóvar’s The Skin I Live In (2011)." Anafora, vol. 3., br. 2., 2016, str. 225-241. https://hrcak.srce.hr/174415. Citirano 28.07.2021.
Chicago 17th Edition
Pataki, Jelena. "Gothic Fiction Elements in Pedro Almodóvar’s The Skin I Live In (2011)." Anafora 3., br. 2. (2016): 225-241. https://hrcak.srce.hr/174415
Harvard
Pataki, J. (2016). 'Gothic Fiction Elements in Pedro Almodóvar’s The Skin I Live In (2011)', Anafora, 3.(2.), str. 225-241. Preuzeto s: https://hrcak.srce.hr/174415 (Datum pristupa: 28.07.2021.)
Vancouver
Pataki J. Gothic Fiction Elements in Pedro Almodóvar’s The Skin I Live In (2011). Anafora [Internet]. 2016 [pristupljeno 28.07.2021.];3.(2.):225-241. Dostupno na: https://hrcak.srce.hr/174415
IEEE
J. Pataki, "Gothic Fiction Elements in Pedro Almodóvar’s The Skin I Live In (2011)", Anafora, vol.3., br. 2., str. 225-241, 2016. [Online]. Dostupno na: https://hrcak.srce.hr/174415. [Citirano: 28.07.2021.]

Sažetak
The aim of this paper is to explore the elements of Gothic fiction in the critically acclaimed Spanish director Pedro Almodóvar’s 2011 film The Skin I Live In. The film is often viewed as a distinctly modern piece of art in that it dwells on contemporary issues referring to complex ethical and moral dilemmas connected to genetic engineering and the disintegration of an individual’s identity. However, despite the undeniable presence of the said issues, the idea is to show that the film’s structure is in fact solidly built on a much older Gothic fiction matrix featuring many of its well-established, easily discernible motifs and conventions. Starting with the classic Gothic topos – a helpless heroine set in an eerie, claustrophobic architecture, and a grotesque atmosphere evoking a feeling of imminent doom – the paper will consider the film’s portrayal of concepts such as death, doubles, and dreams in order to show that the work of the Spanish director bears many similarities to the canonical Anglophone genre. Inevitably, the analysis will also examine the distinct parallel between Mary Shelley’s seminal Gothic fiction text, Frankenstein, and the contemporary counterparts of its mad scientist and his Creation embodied by Almodóvar’s Dr Robert Ledgard and his Vera.

Ključne riječi
Pedro Almodóvar; The Skin I Live In; Gothic features; endangered heroine; mad scientist; obsessive love; wish to conquer death; Frankenstein

Hrčak ID: 174415

URI
https://hrcak.srce.hr/174415

[hrvatski]

Posjeta: 1.017 *