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Original scientific paper
https://doi.org/10.17685/Peristil.59.3

Recent Additions to the Dalmatian Oeuvre of Matteo Ponzone

Radoslav Tomić ; Institute of Art History

Fulltext: croatian, pdf (640 KB) pages 27-35 downloads: 256* cite
APA 6th Edition
Tomić, R. (2016). Posljednje dopune dalmatinskom katalogu slika Mateja Ponzonea Pončuna. Peristil, 59 (1), 27-35. https://doi.org/10.17685/Peristil.59.3
MLA 8th Edition
Tomić, Radoslav. "Posljednje dopune dalmatinskom katalogu slika Mateja Ponzonea Pončuna." Peristil, vol. 59, no. 1, 2016, pp. 27-35. https://doi.org/10.17685/Peristil.59.3. Accessed 20 Jul. 2019.
Chicago 17th Edition
Tomić, Radoslav. "Posljednje dopune dalmatinskom katalogu slika Mateja Ponzonea Pončuna." Peristil 59, no. 1 (2016): 27-35. https://doi.org/10.17685/Peristil.59.3
Harvard
Tomić, R. (2016). 'Posljednje dopune dalmatinskom katalogu slika Mateja Ponzonea Pončuna', Peristil, 59(1), pp. 27-35. https://doi.org/10.17685/Peristil.59.3
Vancouver
Tomić R. Posljednje dopune dalmatinskom katalogu slika Mateja Ponzonea Pončuna. Peristil [Internet]. 2016 [cited 2019 July 20];59(1):27-35. https://doi.org/10.17685/Peristil.59.3
IEEE
R. Tomić, "Posljednje dopune dalmatinskom katalogu slika Mateja Ponzonea Pončuna", Peristil, vol.59, no. 1, pp. 27-35, 2016. [Online]. https://doi.org/10.17685/Peristil.59.3

Abstracts
As a result of several years’ research, the author identifies new works by the Venetian painter Matteo Ponzone (Pončun), who in the 1630s moved to Split where his brother Sforza Ponzone served as archbishop. The latter commissioned a tomb for himself, his mother and brother in the presbytery of the cathedral of St Domnius, for which the painter was commissioned to produce a series of paintings with scenes from the life of St Domnius. The author presents several Ponzone’s altarpieces painted for Dalmatian patrons, preserved in churches on the island of Brač (Nerežišća, parish church), Split (church of St Nicholas/Mikula in Veli Varoš; now church of the Holy Cross, convent of St Claire), Trogir (church of St Peter, formerly church of St Michael) and on the island of Čiovo (church of St Lazarus/St Joseph), and analyses Ponzone’s style with special emphasis on his Venetian formation. However, as an intelligent and modern painter, Ponzone looked into the work of other artists such as Federico Barocci (1535 – 1612), whose influence is discernible in Ponzone’s interpretation of the figure of St Francis of Assisi (Šibenik, church of St Francis).

Keywords
Matteo Ponzone; painting; 17th century; Dalmatia; Venice

Hrčak ID: 178595

URI
https://hrcak.srce.hr/178595

[croatian]

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