APA 6th Edition Burmas Domančić, D. (2017). Dvije grafičke mape Hvara iz 1925. godine. Prilozi povijesti otoka Hvara, XIII. (1), 227-244. Preuzeto s https://hrcak.srce.hr/185217
MLA 8th Edition Burmas Domančić, Dejanira. "Dvije grafičke mape Hvara iz 1925. godine." Prilozi povijesti otoka Hvara, vol. XIII., br. 1, 2017, str. 227-244. https://hrcak.srce.hr/185217. Citirano 26.10.2021.
Chicago 17th Edition Burmas Domančić, Dejanira. "Dvije grafičke mape Hvara iz 1925. godine." Prilozi povijesti otoka Hvara XIII., br. 1 (2017): 227-244. https://hrcak.srce.hr/185217
Harvard Burmas Domančić, D. (2017). 'Dvije grafičke mape Hvara iz 1925. godine', Prilozi povijesti otoka Hvara, XIII.(1), str. 227-244. Preuzeto s: https://hrcak.srce.hr/185217 (Datum pristupa: 26.10.2021.)
Vancouver Burmas Domančić D. Dvije grafičke mape Hvara iz 1925. godine. Prilozi povijesti otoka Hvara [Internet]. 2017 [pristupljeno 26.10.2021.];XIII.(1):227-244. Dostupno na: https://hrcak.srce.hr/185217
IEEE D. Burmas Domančić, "Dvije grafičke mape Hvara iz 1925. godine", Prilozi povijesti otoka Hvara, vol.XIII., br. 1, str. 227-244, 2017. [Online]. Dostupno na: https://hrcak.srce.hr/185217. [Citirano: 26.10.2021.]
Sažetak In the year 1925, two graphic maps of Hvar had been made by Dušan Kokotović and Vladimir Kirin, both ordered and financed by the municipality Hvar. At the time, many a Dalmatian municipality had graphic maps printed, and one can say that they had been adequate town promotion material and attractive product for the final users. Both maps had twenty sheets, Koktović's in etching and Kirin's in lithography. Both artists had intention to depict at the best the town’s visual identity, using most impressive scenes and sites. While Kirin is more prone to depicting details and is dominantly counting on the painting impression, Kokotović is more interested in constructing the whole unit and tone contrast. Both maps had been big success with the public and were noticed and commended by the critics. Their artistic value is less prominent than the cultural-historical one, and they should be taken in context of the Dalmatian towns first strivings to promote their places of rich art and monuments heritage, as well as making popular graphic art available to a wide public.