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https://doi.org/10.21464/fi37210

Benjamin and the Avant-garde

Ivan Jarnjak   ORCID icon orcid.org/0000-0001-8428-6170 ; Okrugljačka 21, HR–10090 Zagreb

Puni tekst: engleski, pdf (332 KB) str. 335-348 preuzimanja: 256* citiraj
APA 6th Edition
Jarnjak, I. (2017). Benjamin and the Avant-garde. Filozofska istraživanja, 37 (2), 335-348. https://doi.org/10.21464/fi37210
MLA 8th Edition
Jarnjak, Ivan. "Benjamin and the Avant-garde." Filozofska istraživanja, vol. 37, br. 2, 2017, str. 335-348. https://doi.org/10.21464/fi37210. Citirano 03.04.2020.
Chicago 17th Edition
Jarnjak, Ivan. "Benjamin and the Avant-garde." Filozofska istraživanja 37, br. 2 (2017): 335-348. https://doi.org/10.21464/fi37210
Harvard
Jarnjak, I. (2017). 'Benjamin and the Avant-garde', Filozofska istraživanja, 37(2), str. 335-348. https://doi.org/10.21464/fi37210
Vancouver
Jarnjak I. Benjamin and the Avant-garde. Filozofska istraživanja [Internet]. 2017 [pristupljeno 03.04.2020.];37(2):335-348. https://doi.org/10.21464/fi37210
IEEE
I. Jarnjak, "Benjamin and the Avant-garde", Filozofska istraživanja, vol.37, br. 2, str. 335-348, 2017. [Online]. https://doi.org/10.21464/fi37210
Puni tekst: hrvatski, pdf (332 KB) str. 335-348 preuzimanja: 165* citiraj
APA 6th Edition
Jarnjak, I. (2017). Benjamin i avangarda. Filozofska istraživanja, 37 (2), 335-348. https://doi.org/10.21464/fi37210
MLA 8th Edition
Jarnjak, Ivan. "Benjamin i avangarda." Filozofska istraživanja, vol. 37, br. 2, 2017, str. 335-348. https://doi.org/10.21464/fi37210. Citirano 03.04.2020.
Chicago 17th Edition
Jarnjak, Ivan. "Benjamin i avangarda." Filozofska istraživanja 37, br. 2 (2017): 335-348. https://doi.org/10.21464/fi37210
Harvard
Jarnjak, I. (2017). 'Benjamin i avangarda', Filozofska istraživanja, 37(2), str. 335-348. https://doi.org/10.21464/fi37210
Vancouver
Jarnjak I. Benjamin i avangarda. Filozofska istraživanja [Internet]. 2017 [pristupljeno 03.04.2020.];37(2):335-348. https://doi.org/10.21464/fi37210
IEEE
I. Jarnjak, "Benjamin i avangarda", Filozofska istraživanja, vol.37, br. 2, str. 335-348, 2017. [Online]. https://doi.org/10.21464/fi37210

Sažetak
Walter Benjamin noticed in the avant¬garde movement the tendency to overcome the discrepancy between society and culture, and art and life. His essay The Work of Art in the Age of Mechanical Reproduction, envisioned as a framework for the theory of modernity in light of the avant-garde, is paradigmatic for understanding of the avant-garde art and contemporary culture. It represents Benjamin’s intervention, the politics of modernity (Kiefer). Wholesome theory of avant-garde does not exist. I will briefly examine interpretations on avant-garde by Peter Bürger and Aleksandar Flaker, while I will be relying on Dietrich Scheunemann’s Avant-Garde Critical Studies to examine newer theory on avant-garde. In the central part of this review I will present relation between Benjamin and surrealism, which Adorno described as: “Benjamin’s intention was to fully give up on obvious exposition and let the meaning appear only through the shocking montage material. Not only should philosophy catch up with surrealism, it alone must become surreal.” Finally, in the last part of this paper I will be dealing with profane illumination. In Benjamin’s essay “Surrealism: The Last Snapshot of the European Intelligentsia” (1929), one of the most important reviews on theoretical, philosophical and political achievements and characteristics of avant¬garde, he presents the profane illumination as the grounding and the core of Surreal Marxism

Ključne riječi
Walter Benjamin; modernity; avant-garde; critique; surrealism; profane illumination

Hrčak ID: 188032

URI
https://hrcak.srce.hr/188032

[hrvatski]

Posjeta: 801 *