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Music as a Form of Popular Aspects of Vocal-Instrumental Music in Zagreb between the Two World Wars

Krunoslav Lučić   ORCID icon orcid.org/0000-0002-4024-6270

Puni tekst: hrvatski, pdf (185 KB) str. 119-142 preuzimanja: 816* citiraj
APA 6th Edition
Lučić, K. (2007). Glazba kao oblik popularne fikcije: aspekti vokalno-instrumentalne popularne glazbe u Zagrebu između dvaju svjetskih ratova. Arti musices, 38 (1), 119-142. Preuzeto s https://hrcak.srce.hr/17894
MLA 8th Edition
Lučić, Krunoslav. "Glazba kao oblik popularne fikcije: aspekti vokalno-instrumentalne popularne glazbe u Zagrebu između dvaju svjetskih ratova." Arti musices, vol. 38, br. 1, 2007, str. 119-142. https://hrcak.srce.hr/17894. Citirano 24.10.2021.
Chicago 17th Edition
Lučić, Krunoslav. "Glazba kao oblik popularne fikcije: aspekti vokalno-instrumentalne popularne glazbe u Zagrebu između dvaju svjetskih ratova." Arti musices 38, br. 1 (2007): 119-142. https://hrcak.srce.hr/17894
Harvard
Lučić, K. (2007). 'Glazba kao oblik popularne fikcije: aspekti vokalno-instrumentalne popularne glazbe u Zagrebu između dvaju svjetskih ratova', Arti musices, 38(1), str. 119-142. Preuzeto s: https://hrcak.srce.hr/17894 (Datum pristupa: 24.10.2021.)
Vancouver
Lučić K. Glazba kao oblik popularne fikcije: aspekti vokalno-instrumentalne popularne glazbe u Zagrebu između dvaju svjetskih ratova. Arti musices [Internet]. 2007 [pristupljeno 24.10.2021.];38(1):119-142. Dostupno na: https://hrcak.srce.hr/17894
IEEE
K. Lučić, "Glazba kao oblik popularne fikcije: aspekti vokalno-instrumentalne popularne glazbe u Zagrebu između dvaju svjetskih ratova", Arti musices, vol.38, br. 1, str. 119-142, 2007. [Online]. Dostupno na: https://hrcak.srce.hr/17894. [Citirano: 24.10.2021.]

Sažetak
The basic aim of the paper is both to offer - through critical «reading» of the popular music cultural product in Zagreb between the two world wars - a review of the diversified usable characteristics of particular musical products that circulated on the then-market of symbolic assets, as well as to single out - in the context of accessible testimonies and data on the social and cultural status of music and its participants during that period – the possible functional dispositions which that product, specifically anchored in time and place, used to have.
Creating a theoretical basis by drawing on various, primarily cultural and critical comprehensions of popular music, as well as from other broader context components of the functioning of culture, the paper offers a «polygonal» approach to the popular music phenomenon against the background of textual reading off of its articulations and meanings through (not necessarily) musicologically mediated media and analytical procedures. From comprehension of the very phenomenon of the popular and the popularity of music in the period under consideration, through the interpretation of popular music's functional nesting in the sociocultural context, the paper offers indications of certain basic implications of that way of studying music. The work also touches upon an attempt at the conceptual encompassing of music, not only as note and sound structures mediated by media, but also as a broader cultural product that is exposed to diverse usages and different aims, purposes and functions; of which the popular-fictional feature is certainly a significant one.

Hrčak ID: 17894

URI
https://hrcak.srce.hr/17894

[hrvatski]

Posjeta: 1.578 *