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PETRICA KEREMPUH − HERO OF POPULAR PUPPET THEATER AS THE PIONEER OF ARTISTIC PUPPET THEATER

Igor Tretinjak

Puni tekst: engleski, pdf (195 KB) str. 237-260 preuzimanja: 28* citiraj
APA 6th Edition
Tretinjak, I. (2017). PETRICA KEREMPUH − HERO OF POPULAR PUPPET THEATER AS THE PIONEER OF ARTISTIC PUPPET THEATER. Dani Hvarskoga kazališta, 43 (1), 237-260. Preuzeto s https://hrcak.srce.hr/192183
MLA 8th Edition
Tretinjak, Igor. "PETRICA KEREMPUH − HERO OF POPULAR PUPPET THEATER AS THE PIONEER OF ARTISTIC PUPPET THEATER." Dani Hvarskoga kazališta, vol. 43, br. 1, 2017, str. 237-260. https://hrcak.srce.hr/192183. Citirano 18.01.2020.
Chicago 17th Edition
Tretinjak, Igor. "PETRICA KEREMPUH − HERO OF POPULAR PUPPET THEATER AS THE PIONEER OF ARTISTIC PUPPET THEATER." Dani Hvarskoga kazališta 43, br. 1 (2017): 237-260. https://hrcak.srce.hr/192183
Harvard
Tretinjak, I. (2017). 'PETRICA KEREMPUH − HERO OF POPULAR PUPPET THEATER AS THE PIONEER OF ARTISTIC PUPPET THEATER', Dani Hvarskoga kazališta, 43(1), str. 237-260. Preuzeto s: https://hrcak.srce.hr/192183 (Datum pristupa: 18.01.2020.)
Vancouver
Tretinjak I. PETRICA KEREMPUH − HERO OF POPULAR PUPPET THEATER AS THE PIONEER OF ARTISTIC PUPPET THEATER. Dani Hvarskoga kazališta [Internet]. 2017 [pristupljeno 18.01.2020.];43(1):237-260. Dostupno na: https://hrcak.srce.hr/192183
IEEE
I. Tretinjak, "PETRICA KEREMPUH − HERO OF POPULAR PUPPET THEATER AS THE PIONEER OF ARTISTIC PUPPET THEATER", Dani Hvarskoga kazališta, vol.43, br. 1, str. 237-260, 2017. [Online]. Dostupno na: https://hrcak.srce.hr/192183. [Citirano: 18.01.2020.]
Puni tekst: hrvatski, pdf (195 KB) str. 237-260 preuzimanja: 190* citiraj
APA 6th Edition
Tretinjak, I. (2017). PETRICA KEREMPUH – JUNAK POPULARNOG LUTKARSKOG KAZALIŠTA KAO PIONIR UMJETNIČKOG LUTKARSKOG KAZALIŠTA. Dani Hvarskoga kazališta, 43 (1), 237-260. Preuzeto s https://hrcak.srce.hr/192183
MLA 8th Edition
Tretinjak, Igor. "PETRICA KEREMPUH – JUNAK POPULARNOG LUTKARSKOG KAZALIŠTA KAO PIONIR UMJETNIČKOG LUTKARSKOG KAZALIŠTA." Dani Hvarskoga kazališta, vol. 43, br. 1, 2017, str. 237-260. https://hrcak.srce.hr/192183. Citirano 18.01.2020.
Chicago 17th Edition
Tretinjak, Igor. "PETRICA KEREMPUH – JUNAK POPULARNOG LUTKARSKOG KAZALIŠTA KAO PIONIR UMJETNIČKOG LUTKARSKOG KAZALIŠTA." Dani Hvarskoga kazališta 43, br. 1 (2017): 237-260. https://hrcak.srce.hr/192183
Harvard
Tretinjak, I. (2017). 'PETRICA KEREMPUH – JUNAK POPULARNOG LUTKARSKOG KAZALIŠTA KAO PIONIR UMJETNIČKOG LUTKARSKOG KAZALIŠTA', Dani Hvarskoga kazališta, 43(1), str. 237-260. Preuzeto s: https://hrcak.srce.hr/192183 (Datum pristupa: 18.01.2020.)
Vancouver
Tretinjak I. PETRICA KEREMPUH – JUNAK POPULARNOG LUTKARSKOG KAZALIŠTA KAO PIONIR UMJETNIČKOG LUTKARSKOG KAZALIŠTA. Dani Hvarskoga kazališta [Internet]. 2017 [pristupljeno 18.01.2020.];43(1):237-260. Dostupno na: https://hrcak.srce.hr/192183
IEEE
I. Tretinjak, "PETRICA KEREMPUH – JUNAK POPULARNOG LUTKARSKOG KAZALIŠTA KAO PIONIR UMJETNIČKOG LUTKARSKOG KAZALIŠTA", Dani Hvarskoga kazališta, vol.43, br. 1, str. 237-260, 2017. [Online]. Dostupno na: https://hrcak.srce.hr/192183. [Citirano: 18.01.2020.]

Sažetak
This paper analyzes the beginnings of artistic puppetry in Croatia, through the titular hero of its first play, who is inextricably linked to popular puppet theater. The hero in question is Petrica Kerempuh, who was brought to life in puppet form in the 1920 staging of Petrica Kerempuh i spametni osel by Dragutin Domjanić. After introducing the initiators and idea of Puppet Theater, as well as the play itself, the paper focuses on its title character, contrasting him with the long standing tradition of popular folk puppet heroes from Pulcinella to Kasperle, Petrica’s nearest cousin. Along with finding their common characteristics and links, such as the humorous side of folk wisdom and cunning, as well as their critical and satirical edge, the paper notes and lays out the following points: the rigid structure of the text, Petrica’s atypical development, visual appeal, awareness of his linguistic leanings, moderated aggression, motivated conflicts, and character development. The paper uses these differences to highlight the shift from popular to artistic puppetry. The merger of popular and artistic elements proved to be a winning combination, and the play Petrica Kerempuh i spametni osel was well received by both public and critics, thus cementing in the firm foundation of artistic puppetry in Croatia. Puppet Theater, as the paper goes on to show, quickly outgrew its initial concept, and clipped its own artistic wings, while a similar fate would befall Petrica Kerempuh, who would go on to be reduced to a minor character through retrograde development.

Ključne riječi
puppetry; Petrica Kerempuh; Puppet Theater; Velimir Deželić junior; Ljubo Babić; Dragutin Domjanić; Kasperle

Hrčak ID: 192183

URI
https://hrcak.srce.hr/192183

[hrvatski]

Posjeta: 274 *