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Ottoman (Osmanli) army and the political iconography in the 17th and 18th century in continental Croatia

Sanja Cvetnić ; Filozofski fakultet Sveučilišta u Zagrebu, Odsjek za povijest umjetnosti

Puni tekst: hrvatski, pdf (623 KB) str. 153-160 preuzimanja: 125* citiraj
APA 6th Edition
Cvetnić, S. (2010). Osmanska vojska i politička ikonografija u 17. i 18. stoljeću u kontinentalnoj Hrvatskoj. Peristil, 53 (1), 153-160. Preuzeto s https://hrcak.srce.hr/199543
MLA 8th Edition
Cvetnić, Sanja. "Osmanska vojska i politička ikonografija u 17. i 18. stoljeću u kontinentalnoj Hrvatskoj." Peristil, vol. 53, br. 1, 2010, str. 153-160. https://hrcak.srce.hr/199543. Citirano 30.03.2020.
Chicago 17th Edition
Cvetnić, Sanja. "Osmanska vojska i politička ikonografija u 17. i 18. stoljeću u kontinentalnoj Hrvatskoj." Peristil 53, br. 1 (2010): 153-160. https://hrcak.srce.hr/199543
Harvard
Cvetnić, S. (2010). 'Osmanska vojska i politička ikonografija u 17. i 18. stoljeću u kontinentalnoj Hrvatskoj', Peristil, 53(1), str. 153-160. Preuzeto s: https://hrcak.srce.hr/199543 (Datum pristupa: 30.03.2020.)
Vancouver
Cvetnić S. Osmanska vojska i politička ikonografija u 17. i 18. stoljeću u kontinentalnoj Hrvatskoj. Peristil [Internet]. 2010 [pristupljeno 30.03.2020.];53(1):153-160. Dostupno na: https://hrcak.srce.hr/199543
IEEE
S. Cvetnić, "Osmanska vojska i politička ikonografija u 17. i 18. stoljeću u kontinentalnoj Hrvatskoj", Peristil, vol.53, br. 1, str. 153-160, 2010. [Online]. Dostupno na: https://hrcak.srce.hr/199543. [Citirano: 30.03.2020.]

Sažetak
Visual representations of Ottomans (Osmanli) and their army in continental Croatia during the 17th and 18th century was clearly marked by the historical context, i.e. by ongoing wars and military confl icts. For example, Roman soldiers that were present at the Crucifi xion were dressed as imaginary Ottomans; Dioscorus, pagan father of the early Christian virgin martyr St Barbara was painted alike; thirteen century saint Francis from Assisi was captured during his mission to Syria – again – by Ottomans... Soldiers of the Ottoman Empire entered to the painting and sculpture in dramaturgically impossible situations, and they were represented in a whole range of biblical and hagiographical narratives that did not belong to them. Negative iconographical stereotypes applied to contemporary military enemies, offered to artists, patrons and public in continental Croatia a mighty tool of political propaganda. Unlike this artistic exorcism of proper fears, expectable on the changing border toward the powerful Empire, there are also different examples that prove the existence of the fascination by Ottomans, Islam, and the seductive culture that spread Europe in a wave known as Turkish fashion (French turquerie, Italian alla Turca, German Turkomanie) that can be traced to the works of Titian and Venetian painters of the 16th century.

Ključne riječi
political iconography; painting; Croatia; Ottoman soldiers; 17th and 18th century

Hrčak ID: 199543

URI
https://hrcak.srce.hr/199543

[hrvatski]

Posjeta: 240 *