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The Cognitive Foundations of Understanding Film Style

Krunoslav Lučić   ORCID icon orcid.org/0000-0002-4024-6270 ; Faculty of Philosophy, University of Zagreb

Puni tekst: hrvatski, pdf (3 MB) str. 1891-1912 preuzimanja: 162* citiraj
APA 6th Edition
Lučić, K. (2018). Kognitivni temelji razumijevanja filmskoga stila. In medias res, 7 (12), 1891-1912. Preuzeto s https://hrcak.srce.hr/200705
MLA 8th Edition
Lučić, Krunoslav. "Kognitivni temelji razumijevanja filmskoga stila." In medias res, vol. 7, br. 12, 2018, str. 1891-1912. https://hrcak.srce.hr/200705. Citirano 03.04.2020.
Chicago 17th Edition
Lučić, Krunoslav. "Kognitivni temelji razumijevanja filmskoga stila." In medias res 7, br. 12 (2018): 1891-1912. https://hrcak.srce.hr/200705
Harvard
Lučić, K. (2018). 'Kognitivni temelji razumijevanja filmskoga stila', In medias res, 7(12), str. 1891-1912. Preuzeto s: https://hrcak.srce.hr/200705 (Datum pristupa: 03.04.2020.)
Vancouver
Lučić K. Kognitivni temelji razumijevanja filmskoga stila. In medias res [Internet]. 2018 [pristupljeno 03.04.2020.];7(12):1891-1912. Dostupno na: https://hrcak.srce.hr/200705
IEEE
K. Lučić, "Kognitivni temelji razumijevanja filmskoga stila", In medias res, vol.7, br. 12, str. 1891-1912, 2018. [Online]. Dostupno na: https://hrcak.srce.hr/200705. [Citirano: 03.04.2020.]

Sažetak
The paper focuses on developing a cognitive foundations and aspects of understanding film style and accentuating their mutual relationship. Since the question of cognition and viewer’s attitude towards the cinematic representation was a theme from the early stages of film theory, in the first section the paper deals with different psychological approaches to film style. After analyzing importance of such approaches, paper then focuses on the revisionist approach to cinema inspired by cognitive science in the 1980s as a reaction to cultural, ideological and psychoanalytical theories of the 1970s. In the final section the paper shows specific analyses of micro and macro film examples from the perspective of cognitive film theory and its premises.

Ključne riječi
film style; cognitive film theory; psychology of cinema; film and cognition; film viewer; naturalistic approach

Hrčak ID: 200705

URI
https://hrcak.srce.hr/200705

[hrvatski]

Posjeta: 291 *