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Cat on a Hot, Tin Roof (1958): Transformation of Williams's Text in the Film Medium

Vesna Tripković-Samardžić ; Faculty of Foreign Languages of the University Mediteran, Podgorica

Puni tekst: hrvatski, pdf (109 KB) str. 87-99 preuzimanja: 35* citiraj
APA 6th Edition
Tripković-Samardžić, V. (2018). Mačka na vrućem limenom krovu (1958): preobražaj Williamsovog teksta u filmskom mediju. Književna smotra, 50 (190(4)), 87-99. Preuzeto s https://hrcak.srce.hr/213400
MLA 8th Edition
Tripković-Samardžić, Vesna. "Mačka na vrućem limenom krovu (1958): preobražaj Williamsovog teksta u filmskom mediju." Književna smotra, vol. 50, br. 190(4), 2018, str. 87-99. https://hrcak.srce.hr/213400. Citirano 14.12.2019.
Chicago 17th Edition
Tripković-Samardžić, Vesna. "Mačka na vrućem limenom krovu (1958): preobražaj Williamsovog teksta u filmskom mediju." Književna smotra 50, br. 190(4) (2018): 87-99. https://hrcak.srce.hr/213400
Harvard
Tripković-Samardžić, V. (2018). 'Mačka na vrućem limenom krovu (1958): preobražaj Williamsovog teksta u filmskom mediju', Književna smotra, 50(190(4)), str. 87-99. Preuzeto s: https://hrcak.srce.hr/213400 (Datum pristupa: 14.12.2019.)
Vancouver
Tripković-Samardžić V. Mačka na vrućem limenom krovu (1958): preobražaj Williamsovog teksta u filmskom mediju. Književna smotra [Internet]. 2018 [pristupljeno 14.12.2019.];50(190(4)):87-99. Dostupno na: https://hrcak.srce.hr/213400
IEEE
V. Tripković-Samardžić, "Mačka na vrućem limenom krovu (1958): preobražaj Williamsovog teksta u filmskom mediju", Književna smotra, vol.50, br. 190(4), str. 87-99, 2018. [Online]. Dostupno na: https://hrcak.srce.hr/213400. [Citirano: 14.12.2019.]

Sažetak
The aim of the essay is to show the transformations of Tennessee Williams's play Cat on a Hot Tin Roof in the transposition to the “big screen“. The article presents the recent trends in adaptation theory according to which a film adaptation is primarily perceived as an autonomous film work of equal status as the original. Recent adaptation theory rejects fidelity to the original as a criterion for evaluation since the adaptation process involves the transposition from one sign system to another and different material and practical contingencies. The film Cat on a Hot Tin Roof, transformed in line with the decisions of the censors into the family melodrama that affirms patriarchal order, becomes a “material evidence of shifting intentions“, but also, since it evokes the memories of other movies and bears the stamp of authorship, serves as an example of an open text in constant dialogue with the original. Research of the film version of the play confirms Robert Stam's idea of adaptation as a “hypertext“ which transforms the original i.e. “hypotext“ through selection, emphasis, concretization, actualization and criticism, a text which takes an active attitude towards the original and becomes its rewriting.

Ključne riječi
drama; film adaptation; censorship; intertext; authorship

Hrčak ID: 213400

URI
https://hrcak.srce.hr/213400

[hrvatski]

Posjeta: 103 *