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https://doi.org/10.15291/ars.2764

Painting as a Field of Introspection

Ivica Župan

Puni tekst: engleski, pdf (383 KB) str. 229-242 preuzimanja: 76* citiraj
APA 6th Edition
Župan, I. (2018). Painting as a Field of Introspection. Ars Adriatica, (8), 229-242. https://doi.org/10.15291/ars.2764
MLA 8th Edition
Župan, Ivica. "Painting as a Field of Introspection." Ars Adriatica, vol. , br. 8, 2018, str. 229-242. https://doi.org/10.15291/ars.2764. Citirano 04.07.2020.
Chicago 17th Edition
Župan, Ivica. "Painting as a Field of Introspection." Ars Adriatica , br. 8 (2018): 229-242. https://doi.org/10.15291/ars.2764
Harvard
Župan, I. (2018). 'Painting as a Field of Introspection', Ars Adriatica, (8), str. 229-242. https://doi.org/10.15291/ars.2764
Vancouver
Župan I. Painting as a Field of Introspection. Ars Adriatica [Internet]. 2018 [pristupljeno 04.07.2020.];(8):229-242. https://doi.org/10.15291/ars.2764
IEEE
I. Župan, "Painting as a Field of Introspection", Ars Adriatica, vol., br. 8, str. 229-242, 2018. [Online]. https://doi.org/10.15291/ars.2764
Puni tekst: hrvatski, pdf (383 KB) str. 229-242 preuzimanja: 145* citiraj
APA 6th Edition
Župan, I. (2018). Slika kao polje introspekcije. Ars Adriatica, (8), 229-242. https://doi.org/10.15291/ars.2764
MLA 8th Edition
Župan, Ivica. "Slika kao polje introspekcije." Ars Adriatica, vol. , br. 8, 2018, str. 229-242. https://doi.org/10.15291/ars.2764. Citirano 04.07.2020.
Chicago 17th Edition
Župan, Ivica. "Slika kao polje introspekcije." Ars Adriatica , br. 8 (2018): 229-242. https://doi.org/10.15291/ars.2764
Harvard
Župan, I. (2018). 'Slika kao polje introspekcije', Ars Adriatica, (8), str. 229-242. https://doi.org/10.15291/ars.2764
Vancouver
Župan I. Slika kao polje introspekcije. Ars Adriatica [Internet]. 2018 [pristupljeno 04.07.2020.];(8):229-242. https://doi.org/10.15291/ars.2764
IEEE
I. Župan, "Slika kao polje introspekcije", Ars Adriatica, vol., br. 8, str. 229-242, 2018. [Online]. https://doi.org/10.15291/ars.2764

Sažetak
The oeuvre of Sunčanica Tuk consists of pulsating, restless factures, composed of verti- cal, always different moves systematized in sequences, with paint often oozing from them owing to their nervation and pulsation. Her opus is a truly subtle and cultivated self-analysis, a sublime psychogram, something that transforms the artist’s mental state into an immediate human trace, suitable, as the painter says, “for the deepest contemplative dive” into the secrets of her undoubtedly spiritually rich being, for expressing her complex psychic constellation and mental tensions, neuralgia, even drama – which the artist, as it seems, keeps experiencing over and over again. It is a soliloquy rather than a dialogue with the world: an encrypted and masked language of ambiguity and vagueness, a speech in hints that will not be understood by everyone, yet shocks and inspires the observer.

Ključne riječi
sequence; sign; non-reference; nervation; self-analysis; psychogram; psychic seismograph; polyptych; serialism; neuralgia; ecstatic quality

Hrčak ID: 213700

URI
https://hrcak.srce.hr/213700

[hrvatski]

Posjeta: 316 *