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Review article

Southern Portal of Gradec St Marko’s Church in the Vienna Court Plastic Arts Context

Zdenko Balog

Fulltext: croatian, pdf (2 MB) pages 128-146 downloads: 751* cite
APA 6th Edition
Balog, Z. (2007). Južni portal crkve Sv. Marka na Gradecu u kontekstu bečkog dvorskog kiparstva. Cris, IX (1), 128-146. Retrieved from https://hrcak.srce.hr/20185
MLA 8th Edition
Balog, Zdenko. "Južni portal crkve Sv. Marka na Gradecu u kontekstu bečkog dvorskog kiparstva." Cris, vol. IX, no. 1, 2007, pp. 128-146. https://hrcak.srce.hr/20185. Accessed 10 Jul. 2020.
Chicago 17th Edition
Balog, Zdenko. "Južni portal crkve Sv. Marka na Gradecu u kontekstu bečkog dvorskog kiparstva." Cris IX, no. 1 (2007): 128-146. https://hrcak.srce.hr/20185
Harvard
Balog, Z. (2007). 'Južni portal crkve Sv. Marka na Gradecu u kontekstu bečkog dvorskog kiparstva', Cris, IX(1), pp. 128-146. Available at: https://hrcak.srce.hr/20185 (Accessed 10 July 2020)
Vancouver
Balog Z. Južni portal crkve Sv. Marka na Gradecu u kontekstu bečkog dvorskog kiparstva. Cris [Internet]. 2007 [cited 2020 July 10];IX(1):128-146. Available from: https://hrcak.srce.hr/20185
IEEE
Z. Balog, "Južni portal crkve Sv. Marka na Gradecu u kontekstu bečkog dvorskog kiparstva", Cris, vol.IX, no. 1, pp. 128-146, 2007. [Online]. Available: https://hrcak.srce.hr/20185. [Accessed: 10 July 2020]

Abstracts
The south portal of St Marko's Church at Gradec is decorated with a group of fifteen figures placed separately or in pairs along eleven niches, freely positioned in the lunette and around it.The portal architecture is well preserved as is that of most statues, although they bear visible traces of 6-century-long atmospheric changes.
In contrast to already stated opinions referring to the style and time of the portal construction, we are trying to prove that the portal was built

during spreading influence of the Vienna plastic arts, especially the 'Court school' of Rudolph IV towards the south and east.We presume that the recognized Augsburg-Gmund style influence is developing, not provincially passive and therefore the Prague school in»uence of Peter Parler is of minor importance.
The analysis of architectonic concept clearly shows a dubious link with tradition: there are too many elements, so the freedom of performance of the portal proves the lack of direct relations with traditions.
Some individual figures are of high quality thus representing the easily recognizible southern fraction of the 'Court school' of Rudolph of the Hapsburgs, which may have occurred in the first generation after the founder of the school, Rudolph, died in 1365.

Keywords
church sv. Marko; Gothic; sculpture

Hrčak ID: 20185

URI
https://hrcak.srce.hr/20185

[croatian]

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