hrcak mascot   Srce   HID

Prethodno priopćenje
https://doi.org/10.21464/fi39106

Kunstangst. Anxiety as a Defining Moment of Aesthetical Experience

Anders Bille Petersen ; Københavns Universitet, Det Humanistike Fakultet, Karen Blixens Plads 8, DK–23000 København
Nils Bloch-Sørensen ; Københavns Universitet, Det Humanistike Fakultet, Karen Blixens Plads 8, DK–23000 København

Puni tekst: engleski, pdf (357 KB) str. 69-77 preuzimanja: 8* citiraj
APA 6th Edition
Petersen, A.B. i Bloch-Sørensen, N. (2019). Kunstangst. Anxiety as a Defining Moment of Aesthetical Experience . Filozofska istraživanja, 39 (1), 69-77. https://doi.org/10.21464/fi39106
MLA 8th Edition
Petersen, Anders Bille i Nils Bloch-Sørensen. "Kunstangst. Anxiety as a Defining Moment of Aesthetical Experience ." Filozofska istraživanja, vol. 39, br. 1, 2019, str. 69-77. https://doi.org/10.21464/fi39106. Citirano 16.09.2019.
Chicago 17th Edition
Petersen, Anders Bille i Nils Bloch-Sørensen. "Kunstangst. Anxiety as a Defining Moment of Aesthetical Experience ." Filozofska istraživanja 39, br. 1 (2019): 69-77. https://doi.org/10.21464/fi39106
Harvard
Petersen, A.B., i Bloch-Sørensen, N. (2019). 'Kunstangst. Anxiety as a Defining Moment of Aesthetical Experience ', Filozofska istraživanja, 39(1), str. 69-77. https://doi.org/10.21464/fi39106
Vancouver
Petersen AB, Bloch-Sørensen N. Kunstangst. Anxiety as a Defining Moment of Aesthetical Experience . Filozofska istraživanja [Internet]. 2019 [pristupljeno 16.09.2019.];39(1):69-77. https://doi.org/10.21464/fi39106
IEEE
A.B. Petersen i N. Bloch-Sørensen, "Kunstangst. Anxiety as a Defining Moment of Aesthetical Experience ", Filozofska istraživanja, vol.39, br. 1, str. 69-77, 2019. [Online]. https://doi.org/10.21464/fi39106
Puni tekst: hrvatski, pdf (357 KB) str. 69-77 preuzimanja: 19* citiraj
APA 6th Edition
Petersen, A.B. i Bloch-Sørensen, N. (2019). Kunstangst. Tjeskoba kao definirajući moment estetskog iskustva . Filozofska istraživanja, 39 (1), 69-77. https://doi.org/10.21464/fi39106
MLA 8th Edition
Petersen, Anders Bille i Nils Bloch-Sørensen. "Kunstangst. Tjeskoba kao definirajući moment estetskog iskustva ." Filozofska istraživanja, vol. 39, br. 1, 2019, str. 69-77. https://doi.org/10.21464/fi39106. Citirano 16.09.2019.
Chicago 17th Edition
Petersen, Anders Bille i Nils Bloch-Sørensen. "Kunstangst. Tjeskoba kao definirajući moment estetskog iskustva ." Filozofska istraživanja 39, br. 1 (2019): 69-77. https://doi.org/10.21464/fi39106
Harvard
Petersen, A.B., i Bloch-Sørensen, N. (2019). 'Kunstangst. Tjeskoba kao definirajući moment estetskog iskustva ', Filozofska istraživanja, 39(1), str. 69-77. https://doi.org/10.21464/fi39106
Vancouver
Petersen AB, Bloch-Sørensen N. Kunstangst. Tjeskoba kao definirajući moment estetskog iskustva . Filozofska istraživanja [Internet]. 2019 [pristupljeno 16.09.2019.];39(1):69-77. https://doi.org/10.21464/fi39106
IEEE
A.B. Petersen i N. Bloch-Sørensen, "Kunstangst. Tjeskoba kao definirajući moment estetskog iskustva ", Filozofska istraživanja, vol.39, br. 1, str. 69-77, 2019. [Online]. https://doi.org/10.21464/fi39106

Sažetak
In this paper, we wish to propose a notion Kunstangst [Danish for art anxiety] as a designation for the destabilising and transformative state that art can impose on its spectator. To this day, art discourse and curation continue to be shaped by Enlightenment ideals. This legacy urges us to dispose of our individuality, either by putting ourselves in someone else’s place or by striving towards objectivity and repeatability. We regard this as highly problematic, and to question the scientific, rational, and disinterested approaches, we have chosen to investigate a more personal, intimate relation between artwork and spectator. The notion Kunstangst derives from the existentialist concept of anxiety, which originates in the philosophy of Søren Kierkegaard. We hope that the transfer of this existentialist concept will provide us with a new aesthetic tool that can enable us to undo the chains of Enlightenment thought and help us approximate the intensity at the heart of aesthetic experience. Aiding us in the appropriation of such an abstract philosophical concept and its application to aesthetics, we incorporate the research of psychologist Kazimierz Dabrowski. He claims that external conflicts can evoke anxiety, which can – if properly engaged with – become transformative experiences. Following this line of reasoning in an aesthetic context, we believe that this is how the art experience can have transformative potential.

Ključne riječi
art; anxiety; psychology; existentialism; subjectivity; kunstangst; Søren Kierkegaard; Kazimierz Dabrowski

Hrčak ID: 224011

URI
https://hrcak.srce.hr/224011

[hrvatski]

Posjeta: 57 *