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https://doi.org/10.21464/fi40302

Rupturing the Spectacle: On Certain Paradoxes of Film Image

Adrian Pelc ; Universität Wien, Institut für Slawistik, Spitalgasse 2, Hof 3 (Campus), AT–1090 Wien

Puni tekst: engleski, pdf (353 KB) str. 476-476 preuzimanja: 21* citiraj
APA 6th Edition
Pelc, A. (2020). Rupturing the Spectacle: On Certain Paradoxes of Film Image. Filozofska istraživanja, 40 (3), 476-476. https://doi.org/10.21464/fi40302
MLA 8th Edition
Pelc, Adrian. "Rupturing the Spectacle: On Certain Paradoxes of Film Image." Filozofska istraživanja, vol. 40, br. 3, 2020, str. 476-476. https://doi.org/10.21464/fi40302. Citirano 25.11.2020.
Chicago 17th Edition
Pelc, Adrian. "Rupturing the Spectacle: On Certain Paradoxes of Film Image." Filozofska istraživanja 40, br. 3 (2020): 476-476. https://doi.org/10.21464/fi40302
Harvard
Pelc, A. (2020). 'Rupturing the Spectacle: On Certain Paradoxes of Film Image', Filozofska istraživanja, 40(3), str. 476-476. https://doi.org/10.21464/fi40302
Vancouver
Pelc A. Rupturing the Spectacle: On Certain Paradoxes of Film Image. Filozofska istraživanja [Internet]. 2020 [pristupljeno 25.11.2020.];40(3):476-476. https://doi.org/10.21464/fi40302
IEEE
A. Pelc, "Rupturing the Spectacle: On Certain Paradoxes of Film Image", Filozofska istraživanja, vol.40, br. 3, str. 476-476, 2020. [Online]. https://doi.org/10.21464/fi40302
Puni tekst: hrvatski, pdf (353 KB) str. 457-476 preuzimanja: 28* citiraj
APA 6th Edition
Pelc, A. (2020). Probiti spektakl: o nekim paradoksima filmske slike. Filozofska istraživanja, 40 (3), 457-476. https://doi.org/10.21464/fi40302
MLA 8th Edition
Pelc, Adrian. "Probiti spektakl: o nekim paradoksima filmske slike." Filozofska istraživanja, vol. 40, br. 3, 2020, str. 457-476. https://doi.org/10.21464/fi40302. Citirano 25.11.2020.
Chicago 17th Edition
Pelc, Adrian. "Probiti spektakl: o nekim paradoksima filmske slike." Filozofska istraživanja 40, br. 3 (2020): 457-476. https://doi.org/10.21464/fi40302
Harvard
Pelc, A. (2020). 'Probiti spektakl: o nekim paradoksima filmske slike', Filozofska istraživanja, 40(3), str. 457-476. https://doi.org/10.21464/fi40302
Vancouver
Pelc A. Probiti spektakl: o nekim paradoksima filmske slike. Filozofska istraživanja [Internet]. 2020 [pristupljeno 25.11.2020.];40(3):457-476. https://doi.org/10.21464/fi40302
IEEE
A. Pelc, "Probiti spektakl: o nekim paradoksima filmske slike", Filozofska istraživanja, vol.40, br. 3, str. 457-476, 2020. [Online]. https://doi.org/10.21464/fi40302

Sažetak
In this paper, confronted are two radical currents of thought about the film image. In a first step, demonstrated is how some Marxist theorists (Beller, Debord, Baudrillard) define the film image as ontologically grounded in alienation and the destruction of non-mediated presence due to its technical origin, as well as its effects. In a second step, I try to show how André Bazin, influenced by phenomenology and taking up identical premises as the Marxists, came to diametrically opposite conclusions: it isn’t but the film image that discloses the real. Drawing on the work of Jacques Rancière, Jean-Luc Nancy and Giorgio Agamben, in a third step I establish a certain synthesis between these two currents and examine how spectacle is guarded, but also re-evaluated within the regime of film images. Through this re-evaluation, one gets a glimpse at the contours of an exigent aesthetic program that in some respects conforms to, while also deviating from eminent ideas on cinematic postmodernism.

Ključne riječi
film image; alienation; Marxism; phenomenology; André Bazin; spectacle; film

Hrčak ID: 245111

URI
https://hrcak.srce.hr/245111

[hrvatski]

Posjeta: 85 *