hrcak mascot   Srce   HID

Preliminary communication
https://doi.org/10.21464/fi40303

Film Spectacle and Cinematic Culture: Film Horror in the Age of World-Image

Dario Vuger ; Ulica ruža 54, HR–10310 Ivanić Grad

Fulltext: english, pdf (341 KB) pages 498-498 downloads: 41* cite
APA 6th Edition
Vuger, D. (2020). Film Spectacle and Cinematic Culture: Film Horror in the Age of World-Image. Filozofska istraživanja, 40 (3), 498-498. https://doi.org/10.21464/fi40303
MLA 8th Edition
Vuger, Dario. "Film Spectacle and Cinematic Culture: Film Horror in the Age of World-Image." Filozofska istraživanja, vol. 40, no. 3, 2020, pp. 498-498. https://doi.org/10.21464/fi40303. Accessed 17 Jan. 2021.
Chicago 17th Edition
Vuger, Dario. "Film Spectacle and Cinematic Culture: Film Horror in the Age of World-Image." Filozofska istraživanja 40, no. 3 (2020): 498-498. https://doi.org/10.21464/fi40303
Harvard
Vuger, D. (2020). 'Film Spectacle and Cinematic Culture: Film Horror in the Age of World-Image', Filozofska istraživanja, 40(3), pp. 498-498. https://doi.org/10.21464/fi40303
Vancouver
Vuger D. Film Spectacle and Cinematic Culture: Film Horror in the Age of World-Image. Filozofska istraživanja [Internet]. 2020 [cited 2021 January 17];40(3):498-498. https://doi.org/10.21464/fi40303
IEEE
D. Vuger, "Film Spectacle and Cinematic Culture: Film Horror in the Age of World-Image", Filozofska istraživanja, vol.40, no. 3, pp. 498-498, 2020. [Online]. https://doi.org/10.21464/fi40303
Fulltext: croatian, pdf (341 KB) pages 477-498 downloads: 52* cite
APA 6th Edition
Vuger, D. (2020). Filmski spektakl i kinematička kultura: filmski horor u doba slike svijeta. Filozofska istraživanja, 40 (3), 477-498. https://doi.org/10.21464/fi40303
MLA 8th Edition
Vuger, Dario. "Filmski spektakl i kinematička kultura: filmski horor u doba slike svijeta." Filozofska istraživanja, vol. 40, no. 3, 2020, pp. 477-498. https://doi.org/10.21464/fi40303. Accessed 17 Jan. 2021.
Chicago 17th Edition
Vuger, Dario. "Filmski spektakl i kinematička kultura: filmski horor u doba slike svijeta." Filozofska istraživanja 40, no. 3 (2020): 477-498. https://doi.org/10.21464/fi40303
Harvard
Vuger, D. (2020). 'Filmski spektakl i kinematička kultura: filmski horor u doba slike svijeta', Filozofska istraživanja, 40(3), pp. 477-498. https://doi.org/10.21464/fi40303
Vancouver
Vuger D. Filmski spektakl i kinematička kultura: filmski horor u doba slike svijeta. Filozofska istraživanja [Internet]. 2020 [cited 2021 January 17];40(3):477-498. https://doi.org/10.21464/fi40303
IEEE
D. Vuger, "Filmski spektakl i kinematička kultura: filmski horor u doba slike svijeta", Filozofska istraživanja, vol.40, no. 3, pp. 477-498, 2020. [Online]. https://doi.org/10.21464/fi40303

Abstracts
In this paper, the author establishes and defends the thesis that the 1980s horror film production acts as a paradigm of the spectacle, especially in terms of the system of reduction of immediate life to image related mediations and phenomena. Thus, three disparate elements are now connected in a conceptual framework by which author supposes one must judge the media theory and media at large at the end of the twentieth and the beginning of the twenty-first century. The three elements are the Heideggerian notion of the age of the world-picture, the Debordian notion of the spectacle, and the Deleuzian experiment of the philosophy of film that, through Beller, establishes itself as a film philosophy, to be a possible answer to the contemporary state of a society in which the film spectacle reflects itself in the essentially cinematic culture, that is, in society put in motion exclusively only through the relation of image representations.

Keywords
film; spectacle; world-picture; horror; cinematic culture

Hrčak ID: 245113

URI
https://hrcak.srce.hr/245113

[croatian]

Visits: 191 *