Filozofska istraživanja, Vol. 40 No. 3, 2020.
Prethodno priopćenje
https://doi.org/10.21464/fi40303
Film Spectacle and Cinematic Culture: Film Horror in the Age of World-Image
Dario Vuger
orcid.org/0000-0001-6842-0579
; Ulica ruža 54, HR–10310 Ivanić Grad
Sažetak
In this paper, the author establishes and defends the thesis that the 1980s horror film production acts as a paradigm of the spectacle, especially in terms of the system of reduction of immediate life to image related mediations and phenomena. Thus, three disparate elements are now connected in a conceptual framework by which author supposes one must judge the media theory and media at large at the end of the twentieth and the beginning of the twenty-first century. The three elements are the Heideggerian notion of the age of the world-picture, the Debordian notion of the spectacle, and the Deleuzian experiment of the philosophy of film that, through Beller, establishes itself as a film philosophy, to be a possible answer to the contemporary state of a society in which the film spectacle reflects itself in the essentially cinematic culture, that is, in society put in motion exclusively only through the relation of image representations.
Ključne riječi
film; spectacle; world-picture; horror; cinematic culture
Hrčak ID:
245113
URI
Datum izdavanja:
21.10.2020.
Posjeta: 1.779 *