APA 6th Edition Čupković, G. (2020). Wire on Covers. Sic, 11 (1), 0-0. https://doi.org/10.15291/sic/1.11.lc.1
MLA 8th Edition Čupković, Gordana. "Wire on Covers." Sic, vol. 11, no. 1, 2020, pp. 0-0. https://doi.org/10.15291/sic/1.11.lc.1. Accessed 22 Sep. 2021.
Chicago 17th Edition Čupković, Gordana. "Wire on Covers." Sic 11, no. 1 (2020): 0-0. https://doi.org/10.15291/sic/1.11.lc.1
Harvard Čupković, G. (2020). 'Wire on Covers', Sic, 11(1), pp. 0-0. https://doi.org/10.15291/sic/1.11.lc.1
Vancouver Čupković G. Wire on Covers. Sic [Internet]. 2020 [cited 2021 September 22];11(1):0-0. https://doi.org/10.15291/sic/1.11.lc.1
IEEE G. Čupković, "Wire on Covers", Sic, vol.11, no. 1, pp. 0-0, 2020. [Online]. https://doi.org/10.15291/sic/1.11.lc.1
Abstracts This paper analyzes the covers of the weekly newspaper Novosti, on which the current refugee and migrant crisis is depicted with illustrations where various verbal and visual signs recontextualize the motif of barbed and razor wire. The symbolic, satiric, and metaphoric potential of barbed wire is discussed, and its functions in the narrative on migrants are defined. The examples are categorized according to the distinct semantic characteristics of acting on the body and enclosing space, and the presented research model confirms that the pronounced artistic and critical functionality of the motif of barbed wire lies precisely in the potential of establishing an antithesis that is simultaneously also an element of the satirical dialectic and the source of metaphoric interpretations.