APA 6th Edition Čupković, G. i Dunat, S. (2020). Multimodal Metaphor as the Source of Parodic Integration in Hip Hop Music Videos. Narodna umjetnost, 57 (2), 65-78. https://doi.org/10.15176/vol57no204
MLA 8th Edition Čupković, Gordana i Silvana Dunat. "Multimodal Metaphor as the Source of Parodic Integration in Hip Hop Music Videos." Narodna umjetnost, vol. 57, br. 2, 2020, str. 65-78. https://doi.org/10.15176/vol57no204. Citirano 02.03.2021.
Chicago 17th Edition Čupković, Gordana i Silvana Dunat. "Multimodal Metaphor as the Source of Parodic Integration in Hip Hop Music Videos." Narodna umjetnost 57, br. 2 (2020): 65-78. https://doi.org/10.15176/vol57no204
Harvard Čupković, G., i Dunat, S. (2020). 'Multimodal Metaphor as the Source of Parodic Integration in Hip Hop Music Videos', Narodna umjetnost, 57(2), str. 65-78. https://doi.org/10.15176/vol57no204
Vancouver Čupković G, Dunat S. Multimodal Metaphor as the Source of Parodic Integration in Hip Hop Music Videos. Narodna umjetnost [Internet]. 2020 [pristupljeno 02.03.2021.];57(2):65-78. https://doi.org/10.15176/vol57no204
IEEE G. Čupković i S. Dunat, "Multimodal Metaphor as the Source of Parodic Integration in Hip Hop Music Videos", Narodna umjetnost, vol.57, br. 2, str. 65-78, 2020. [Online]. https://doi.org/10.15176/vol57no204
Sažetak This paper deals with multimodal metaphors as the basis of parodic integration in selected videos and album covers by rap artist Krešo Bengalka and his band Kiša metaka. The case studies of parodic integration are marked by a spectacle that significantly contributes to the blend. The study focuses on multimodal integration and disintegration and on the reversal of the conventional way of representing both the relation between the interior and exterior and the relation between the static and the dynamic.