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https://doi.org/10.21464/fi40405

Capital and Capillary Image of Harun Farocki. Film Spectator between Production and Reception

Boris Ružić   ORCID icon orcid.org/0000-0003-4491-4763 ; Sveučilište u Rijeci, Filozofski fakultet, Sveučilišna avenija 4, HR–51000 Rijeka

Puni tekst: engleski, pdf (307 KB) str. 743-743 preuzimanja: 46* citiraj
APA 6th Edition
Ružić, B. (2020). Capital and Capillary Image of Harun Farocki. Film Spectator between Production and Reception. Filozofska istraživanja, 40 (4), 743-743. https://doi.org/10.21464/fi40405
MLA 8th Edition
Ružić, Boris. "Capital and Capillary Image of Harun Farocki. Film Spectator between Production and Reception." Filozofska istraživanja, vol. 40, br. 4, 2020, str. 743-743. https://doi.org/10.21464/fi40405. Citirano 30.11.2021.
Chicago 17th Edition
Ružić, Boris. "Capital and Capillary Image of Harun Farocki. Film Spectator between Production and Reception." Filozofska istraživanja 40, br. 4 (2020): 743-743. https://doi.org/10.21464/fi40405
Harvard
Ružić, B. (2020). 'Capital and Capillary Image of Harun Farocki. Film Spectator between Production and Reception', Filozofska istraživanja, 40(4), str. 743-743. https://doi.org/10.21464/fi40405
Vancouver
Ružić B. Capital and Capillary Image of Harun Farocki. Film Spectator between Production and Reception. Filozofska istraživanja [Internet]. 2020 [pristupljeno 30.11.2021.];40(4):743-743. https://doi.org/10.21464/fi40405
IEEE
B. Ružić, "Capital and Capillary Image of Harun Farocki. Film Spectator between Production and Reception", Filozofska istraživanja, vol.40, br. 4, str. 743-743, 2020. [Online]. https://doi.org/10.21464/fi40405
Puni tekst: hrvatski, pdf (307 KB) str. 729-743 preuzimanja: 91* citiraj
APA 6th Edition
Ružić, B. (2020). Kapitalna i kapilarna slika Haruna Farockija. Filmski gledatelj između proizvodnje i recepcije. Filozofska istraživanja, 40 (4), 729-743. https://doi.org/10.21464/fi40405
MLA 8th Edition
Ružić, Boris. "Kapitalna i kapilarna slika Haruna Farockija. Filmski gledatelj između proizvodnje i recepcije." Filozofska istraživanja, vol. 40, br. 4, 2020, str. 729-743. https://doi.org/10.21464/fi40405. Citirano 30.11.2021.
Chicago 17th Edition
Ružić, Boris. "Kapitalna i kapilarna slika Haruna Farockija. Filmski gledatelj između proizvodnje i recepcije." Filozofska istraživanja 40, br. 4 (2020): 729-743. https://doi.org/10.21464/fi40405
Harvard
Ružić, B. (2020). 'Kapitalna i kapilarna slika Haruna Farockija. Filmski gledatelj između proizvodnje i recepcije', Filozofska istraživanja, 40(4), str. 729-743. https://doi.org/10.21464/fi40405
Vancouver
Ružić B. Kapitalna i kapilarna slika Haruna Farockija. Filmski gledatelj između proizvodnje i recepcije. Filozofska istraživanja [Internet]. 2020 [pristupljeno 30.11.2021.];40(4):729-743. https://doi.org/10.21464/fi40405
IEEE
B. Ružić, "Kapitalna i kapilarna slika Haruna Farockija. Filmski gledatelj između proizvodnje i recepcije", Filozofska istraživanja, vol.40, br. 4, str. 729-743, 2020. [Online]. https://doi.org/10.21464/fi40405

Sažetak
This paper discusses two films by Harun Farocki – Ein Bild (1983) and Nicht löschbares Feuer (1969) – and relates them to the theoretical arguments of Mirzoeff’s counterhistory of visuality and Rancière’s emancipated spectator. The main thesis is that experimental, semantically unclear or incomplete image can be of purpose to the spectator in an epistemological sense. The paper suggests the use of notions capital image and capillary image for the purpose of understanding similarities and differences between historically divergent forms of image production. The research concludes by reiterating the possibility of spectatorial emancipation from the dominant image in strategies of showing the structure of production of the image on the screen. The work seen in the image becomes the work of the spectator in trying to demystify the homogeneity of its semantic codes.

Ključne riječi
Harun Farocki; emancipation; viewer; visual culture; capital­image; capillary-image

Hrčak ID: 251492

URI
https://hrcak.srce.hr/251492

[hrvatski]

Posjeta: 338 *